Shadows and Spellcraft giveaway announcement
As you’ll have no doubt have guessed by now, given all the posts on my blog lately, the Shadows and Spellcraft book bundle (which contains, among other things, Isla’s Inheritance), comes out on 30 October. Pre-orders are only $0.99 (US), which is such an awesome bargain that I’ve already pre-ordered my own copy for the books in there that I haven’t read — there are fifteen books total.
One of the authors in the bundle, Laura Greenwood, is giving away a Kindle Fire stuffed with ebooks (including another of mine, because yay!) to celebrate the release of the bundle. You can find the giveaway here. Check it out!
Rheia Pinterest page
As I do with all my books, as I was drafting Rheia I kept a Pinterest page for the book. Now that we’re getting closer to the release day, I’ve made the page public so that those of you who want to get a taste for the aesthetic of the book can do so. The link to the page is here. It’s no Kindle Fire, but I hope you enjoy anyway!
(Note that the usual caveats apply: I don’t own any of the art in the lefthand screenshot above.)
I have a very busy couple of months coming up, what with the release of Rheia and A Hand of Knaves, but (because I am a sucker for punishment) I decided that wasn’t quite enough. So I’m releasing Isla’s Inheritance as part of an urban fantasy ebook bundle that comes out on 30 October. The bundle is called Shadows and Spellcraft: The Ultimate Urban Fantasy Binge Collection.
Because urban fantasy. ❤
If you’ve already read Isla’s Inheritance, I love you … and you should consider buying the bundle anyway. For a start, it contains fourteen other urban fantasy novels and novellas by various authors — that’s over 2500 pages of story! Secondly, the pre-orders are available for US$0.99, or around AU$1.43. What a great way to discover new writers! (I know I’ve already ordered my copy, and I’ve already read two of the other books that are in the bundle.)
Also, check out the cover. If the style looks familiar, it’s because it has been designed by KILA Designs, the same designer I use for my books. Isn’t it gorgeous?
Dive into FIFTEEN amazing worlds full of action, adventure, magic and mayhem brought to you by some of the freshest voices in urban fantasy.
Want angels? Demons? Fairies? Witches? Supernatural assassins? Vampires? Whatever you’re after, you’re bound to find it in this incredible collection jam-packed with page-turning adventure.
This bundle features 8 full length novels, 4 short novels and 3 novellas written by:
Ashlee Nicole Bye
Tanya R Taylor
K. A. Last
Today on Instagram I decided (on a bit of a whim) to post pics of Aussie books. Because Aussie books are the prettiest — and they look even better when placed beside Funko PopVinyl figures (of which I have, err, rather a lot).
So, on a similar whim, I decided to share some of them here too. Taking bookstagram pics is one of my new favourite hobbies! I could post a ton more, but these are some of my most-recent photos. I decided to stick to those, primarily because I’m really digging this style of pic. Angles! Origami stars! Pops! Yay!
… and yes, I snuck a pic of some of my own books in there. I couldn’t resist. And it is a pretty picture! (In case you weren’t already aware, the first ebook in my Isla’s Inheritance trilogy is available for freeeee! The links are up there, at the top of the screen. *points*)
For my Australian friends, have an awesome public holiday … especially if you’re working. For everyone else, HAPPY THURSDAY!
Today over at Aussie Owned and Read, we’re talking why we love being an Aussie writer, and why we set our books where we do. Check it out!
I was asked on Facebook what Hogwarts Houses my characters would be; apparently this was a thing authors were doing back in 2014, and we all know how cutting edge I am! I’ve been chewing over the idea, because—like Harry, who could have just as easily been Slytherin as Gryffindor—most of my characters could fit into more than one house. Still, I’ve donned the Sorting Hat and done my best!
Isla’s Inheritance trilogy
Isla has elements of Hufflepuff and Gryffindor, and could easily go into either house. However, when we first meet her, she is definitely a Hufflepuff, so that’s where she would’ve been sorted when she started high school. Her loyalty in particular drives her to do some very courageous things, but she’s still more comfortable not charging into danger, given the choice.
Like Isla, Jack has elements of Gryffindor (his chivalry and courage, in particular). However, he is a Hufflepuff through and through. Patience and loyalty are two of his defining characteristics, and his desire for justice has gotten him into trouble in the past.
Sarah is a Gryffindor. Although she is musical, which could have qualified her for Ravenclaw, she is the most honest, determined and forthright of the characters in the trilogy. This causes Sarah to butt heads with Isla at times, when she gets frustrated with her cousin’s reluctance to be as honest as she probably should be.
Of these five characters, Melaina is the hardest for me to sort. She has traits valued by three of the four houses (she’d make a pretty poor Hufflepuff, all things considered). Still, I’d sort her into Gryffindor, given her tendency to leap into situations and think about the consequences later.
Brad is a Ravenclaw. He’s an educated, intellectual sort of person who is very good at thinking his way through a problem or puzzle to find a solution. That is why he struggles at first, when presented with information that doesn’t fit neatly into his worldview. But once he understands the new “rules” of Melaina’s world, he is able to think his way through them.
Are you a writer? Have you ever sorted your characters? It’s a fun little mental exercise that gets you to think about who they really are, beneath it all. (And special thanks to Belle for suggesting it.)
In case you missed it, on Thursday I was over at Aussie Owned and Read, talking about finding time in a busy life: time to write, blog, review and do the squillion other things I try to get done.
What I really need is a Time Turner…
Isla was content to let her father keep his secrets, but now she can’t stand the touch of iron and her dreams are developing a life of their own.
Seventeen-year-old Isla Blackman only agrees to participate in a Halloween séance because Dominic, an old crush, wants to. She is sure nothing will happen when they try to contact her mother’s spirit. But the séance receives a chilling reply.
SHE IS NOT DEAD.
Isla doesn’t want to upset her father by prying into the family history he never discusses. When the mysterious and unearthly Jack offers to help her discover the truth, Isla must master her new abilities to protect her loved ones from enemies she never knew existed.
Isla’s Inheritance, the first book in my young adult urban fantasy trilogy, is currently available as a free download from all good* ebook retailers.
* Amazon is, as many have noted before me, not a good ebook retailer. In fact, I have it on good authority that it may have been given a lump of coal (delivered free with Amazon Prime!) for Christmas last year. 😉 So if your Amazon account isn’t based in the USA and your Amazon store lists Isla’s Inheritance with a price, you can download the mobi file for free from the Smashwords link instead. Or leave a message and I will email it to you.
If you enjoy Isla’s Inheritance — or any of my other books, or other authors’ books for that matter — please consider leaving a review on Goodreads or your favourite ebook retailer. Reviews make a huge difference to authors; you wouldn’t believe how much us needy creative types need the positive reinforcement. 😉
My name is Cassandra Page and I’m an online bookstore addict. As a result, I’m no stranger to friendly little packages showing up, sometimes (in the case of preorders) months after I ordered them. Such packages always make me smile …
… but not as much as receiving a giant parcel full of copies of my own book does! In some ways that’s counter-intuitive. I mean, I’ve read my book, right? But there’s nothing quite like being able to
pat fondle hold a copy of a book you’ve worked really hard to produce.
Today both my son and I are home because we’ve got colds, so I was fortunate enough to be here when the delivery bloke with his doof doof music arrived to drop off this lovely parcel.
This particular delivery is even more exciting for me, since paperbacks of Isla’s Oath and Melpomene’s Daughter were never produced by their previous publisher. Naturally I squealed, and my son (who is six) made disgruntled noises about non-picture books. Since I can’t share my joy with him … or with anyone else, given it’d be antisocial of me to take my germs out of the house right now … I thought pester you with it. Thanks for being ace, internet! 🙂
Here is the trilogy, all sitting side by side. Note the amazing work Kim did to get them looking beautiful together? I especially love the little symbols at the top: an arrow, a snowflake and a seashell, chosen to represent each of the stories they represent.
And here is a photo I’ve been keen to take for a while now: all my preciouses sitting side-by-side on my bookshelf. I have two copies of the original Isla’s Inheritance there (since it is no longer available), and two of Lucid Dreaming (one is the paperback proof; I used the online proof function for the Isla’s Inheritance trilogy).
And this is me. Only I’m a brunette with curly, shoulder-length hair and glasses, obv.
If after seeing the lusciousness that is all three books together you’re keen to have copies of your own to fondle, they are available online. Alternatively, for Australians (who may find it cheaper) or those who are mad keen for a signed copy, they are also available from me. Email me at cassandrapage01_at_gmail.com (replacing the _at_ with a @)!
Back in 2013, I blogged about the four reasons I chose to publish the Isla’s Inheritance trilogy through a small press rather than to self-publish. To summarise:
- I wanted someone else to edit my book
- I wanted someone else to do all of the other things that are required when publishing a book (cover design, typesetting, etc)
- at the time, Amazon’s royalty payments to Australians involved sending cheques in US dollars; I wanted someone to electronically transfer me royalties
- and because, in all honesty, I felt like it would give me a sense of validation.
And then, in October last year, I blogged about the reasons I was no longer with said small press. I suppose in hindsight I could have saved myself a lot of stress if I’d just self-published in the first instance, but I gained so much valuable experience in releasing the three books through Turquoise Morning Press that I don’t regret the decision.
In the four months since then (wut?!), I’ve self-published not one but four books. To be frank, that was an utterly insane decision, but I was already locked into the release date for Lucid Dreaming, which I’d decided to self-publish in the meantime, and I wanted to get the Isla’s Inheritance trilogy back on the market as soon as I could. I was just lucky my designer could work to those timeframes.
Now I’m out the other side I can finally think and breathe again. So how do those four reasons stack up?
Obviously, with the trilogy, I got the external editing I was after. But I re-read and re-proofed each book myself as well, before self-publishing; I didn’t just upload them as they were, because there were a few tiny stylistic things I wanted to change. Normally it’s impossible to edit — even to copy edit — your own work, but when you take a several-year gap between finalising them and re-reading them it is a lot easier to be objective.
For Lucid Dreaming, several awesome friends critiqued it for me, and then I paid for it to be edited by a professional editor who is also a good friend. This was money well spent.
Cover and design
I paid for all four books to be professionally designed by another good friend. This was also money well spent. I can slap together a teaser or a meme just fine, but the finer points of cover design completely escape me, and there’s no doubt that all four book covers are beautiful and have a similarity of appearance that ties them together.
I expect I could learn how to do paperback and ebook layouts (though not the Smashwords table of contents procedure — I tried to read the instructions and my brain turned to mush). But the value to my mental health and stress levels of having someone who gets how it’s done and can apply a theme to the entire book was immense.
As for how to navigate Kindle Direct Publishing, Smashwords and Createspace, I managed to muddle through. Practice makes perfect, and by now I’ve had a lot of practice!
Amazon royalty payments
Now that Amazon Australia exists, Amazon pays via direct deposit. Hallelujah!
Well, this is a tricky one, isn’t it? I’ve read some excellent blogs by authors much more successful than me, in which they say that no matter how successful you are, there’s always someone doing better than you. Once the heady rush of having a three-book deal wore off, I found that I spent a lot of time qualifying my success to people. They’d be gleeful and I’d be self-effacing. So I guess in a way I never got the validation I was after.
The upside and the way forward
There are definitely perks to self-publishing, most of which won’t be a surprise to anyone. Being able to control the various design decisions mean that I adore all four of my covers, rather than having to compromise on and have less input into ones designed at someone else’s expense. Live sales reports are a mixed blessing (and can be downright depressing unless you’re a smash hit), but there are advantages there if you want to test out different forms of advertising to see what sales effect they have.
So, after all that, would I publish with a small press again? No, I wouldn’t. Although self-publishing the way I want to, with more professionalism than I can bring to bear, costs money, I’d rather do that. Small presses are a mixed bag, and the Amazon-dominated market is unkind to them. (It’s what killed TMP.)
Would I publish via traditional publishing, were the opportunity to present itself? Yes, because they can offer something I can’t get via self-publishing: market reach. The idea of being a hybrid author (one that does both traditional and self-publishing) has a huge amount of appeal to me.
Have you tried multiple avenues for publishing your books? Which worked best for you?
Melpomene’s Daughter, the final book in the Isla’s Inheritance trilogy, is once again available at all good (and some evil) online book retailers. You can find the buy links for it, and the rest of the series, here.
Isla struggles to embrace her fae nature while preserving her humanity in the final, exciting instalment of the Isla’s Inheritance trilogy.
Isla has spent months persuading the Canberra fae that she isn’t a tyrant like her mother, trying to prove that—despite her mixed blood—she’s human, not a monster. That she’s one of them, not one of the high fae who enslaved them.
But a vision of a fresh-dug grave warns that someone is going to die.
When the Old World fae once again move against her family, seeking revenge for old wrongs, Isla will stop at nothing to keep those she loves safe. She just wants to be left alone. But to win that right for herself, her family and all Australian fae, she must cross the oceans and take the fight to the country of her birth.
Isla must prove she really is Melpomene’s daughter after all.