10:00 a.m. The principal of Opportunity High School finishes her speech, welcoming the entire student body to a new semester and encouraging them to excel and achieve.
10:02 a.m. The students get up to leave the auditorium for their next class.
10:03 a.m. The auditorium doors won’t open.
10:05 a.m. Someone starts shooting.
Told from four different perspectives over the span of fifty-four harrowing minutes, terror reigns as one student’s calculated revenge turns into the ultimate game of survival.
This book caught my eye last weekend in the bookstore because I recognised the author’s name from her involvement in the writing community, particularly as a PitchWars mentor. Then I read the blurb and the idea of it gave me chills, especially in light of what happened in Florida at Marjory Stoneman Douglas High last month.
This Is Where It Ends didn’t disappoint.
First, while I’m talking about the blurb, let me say that it’s a tiny bit misleading. This book isn’t really a “game of survival” — it’s not The Hunger Games set in a high school or anything like that. I loved THG, but TIWIE is contemporary, not spec fic; it is more realistic, and more dreadful. None of the characters manifest cool ninja superpowers or a talent with a crossbow that saves the day. They are scared teenagers who don’t want themselves or their loved ones to die.
Some of the story is told through flashbacks; the four characters all have a connection to the shooter in one way or another, and we get to explore that as the story progresses. But I don’t want to go into those connections any further, because there is a minor spoiler involved in who the shooter actually turns out to be.
The four characters are Autumn, the dancer from an abusive home; her girlfriend, Sylv; Sylv’s twin brother and teen rebel, Tomas; and track star Claire. Through them we get to see the shooting unfold from different points around the school. This means that — even at times when the characters trapped in the auditorium can’t do a lot other than watch and try not to die — the other characters have some ability to try and affect events, even in a small way. The way the storylines were interwoven was very well done, and all of the characters were well-rounded. (My only minor criticism is that I found the voices of all four characters rather similar. But each section starts with the narrator’s name, so it’s still easy to follow along.)
Another device that TIWIE uses is social media, with Twitter and blog posts at different points, as the event unfolds. Having read some of the tweets from during the Florida shooting, these particularly undid me (a little awkward when I was reading in the doctor’s waiting room, not gonna lie). They were so real — complete with a troll — and through them we got to watch smaller stories play out over the course of the larger one.
TIWIE isn’t a light read, by any means, but it is a powerful one, especially in light of the #NeverAgain movement. It doesn’t take a position on gun control — not overtly — but the fictional shooter in this book is so much like the real-life shooters we read about in school shootings. And he obtained his gun legally. Make of that what you will.
Simon Snow is the worst Chosen One who’s ever been chosen.
That’s what his roommate, Baz, says. And Baz might be evil and a vampire and a complete git, but he’s probably right.
Half the time, Simon can’t even make his wand work, and the other half, he starts something on fire. His mentor’s avoiding him, his girlfriend broke up with him, and there’s a magic-eating monster running around, wearing Simon’s face. Baz would be having a field day with all this, if he were here — it’s their last year at the Watford School of Magicks, and Simon’s infuriating nemesis didn’t even bother to show up.
Carry On — The Rise and Fall of Simon Snow is a ghost story, a love story and a mystery. It has just as much kissing and talking as you’d expect from a Rainbow Rowell story — but far, far more monsters.
Carry On is the book inspired by the fictional characters in the young adult contemporary, Fangirl — which I reviewed last year. In that book, the main character, Cath, is a huge fan of the Simon Snow series (which is, in turn, loosely inspired by Harry Potter); she writes a highly successful fanfic called ‘Carry On, Simon’, which is based in the Simon Snow world.
This novel is that fanfic. Or, at least, I like to imagine it is. It does have one of the key elements of Cath’s fanfic — that Simon and Baz are attracted to one another — which I don’t believe is in the “original” books whose world she’s writing about. Of course, it’s hard to say, given that the preceding six novels in the fictional world don’t actually exist! 😉
Carry On is the equivalent of the last book in the Harry Potter series, when all the skirmishes with the bad guy finally come to a head and everyone’s dark secrets are revealed. It has other Potter-ish elements (brainy female best friend, headmaster mentor who throws Simon in harm’s way, friendly gamekeeper, use of wands), and at the beginning it’s hard not to make comparisons, but the story goes off in a completely different direction.
And I loved it.
The magic system is cute and clever. Instead of pseudo-Latin phrases, spells in this universe use “magic words” — phrases that are used so often by humans that they become idioms or cliches that have entered the public’s consciousness. The more often the phrase is used, the more powerful the spell effect is that results. For example, “make a wish” to put out a fire (think birthday candles), or “hear ye, hear ye” to amplify your voice. Maybe it’s a little corny, but I’m a word nerd, so I loved it as much as I loved playing “spot the root word” in J.K. Rowling’s spell words.
Despite being a chosen one who never knew his parents, Simon isn’t actually that much like Harry. His life outside school is perhaps a little rougher than Harry’s, and Simon is an expert at going where he’s directed. He is paranoid about Baz (possibly even more paranoid than Harry is about Snape). He is also an expert at denial — not thinking about things that upset him — and doesn’t seem to have the same independent problem-solving ability that Harry does. Luckily, his best friend Penny is clever and organised. She’s like Hermione but with a little less empathy and tact. (And she’s Indian — her mother has a thing for P names.) I really enjoyed Penny’s point of view chapters.
I didn’t enjoy Agatha’s so much. She’s the ex-girlfriend, and almost entirely self-absorbed. She just wants to be left out of the danger and adventure so she can have a manicure, pine after True Love ™ and avoid all discussion of magic. But, although she is a bit frustrating, she’s also incredibly realistic. (I’d rather not get into danger saving the world either, thanks … and I did my share of pining at that age.)
Carry On is a multi-POV book — Simon, Penny and Baz get the lion’s share of the chapters, but there are chapters from maybe a half dozen or dozen other characters. That’s one of the things that reminded me of a lot of the fanfic I read back in the day, and made me think that this was more likely to be Cath’s version of the story rather than that of the original author, Gemma T. Leslie. (Okay, yes, I know both Cath and Gemma are creations of Rainbow. Shush!)
In terms of pacing, the book starts off a little slow. There’s a lot of backstory that is mentioned in passing — especially references to Baz’s past misdeeds. But once Baz enters the story personally, things really pick up and get interesting. For me, the reveals at the end were sufficiently foreshadowed that I guessed what was coming, but I still loved it.
And yes, the dialogue and the kissing scenes that the blurb mentions are excellent. 😉
The YA event of the year. Bestsellers. Award-winners. Superstars. This anthology has them all. With brilliantly entertaining short stories from beloved young adult authors Amie Kaufman, Melissa Keil, Will Kostakis, Ellie Marney, Jaclyn Moriarty, Michael Pryor, Alice Pung, Gabrielle Tozer, Lili Wilkinson and Danielle Binks, this all-new collection will show the world exactly how much there is to love about Aussie YA.
I love the #LoveOzYa movement, as — like the Australian Women Writers Challenge — it’s a great way to raise awareness of Aussie homegrown fiction. The fact that they turned it into an anthology that involved some of my favourite Aussie writers is even better.
If you love YA, get this anthology, whether you’re Australian or not. You won’t regret it.
One Small Step by Amie Kaufman
This is a gorgeous (and rather tense) romance between female best friends on Mars. I’d love to read more about these characters. Make it so, Amie!
I Can See the Ending by Will Kostakis
This one’s an urban fantasy about a teen psychic who can see the future but can’t change it (and struggling with the sense of futility that generates). It was quite clever, and as sweet as it was poignant.
In a Heartbeat by Alice Pung
This is a contemporary about teen pregnancy. It was really well done, though probably not my favourite of the contemporaries.
First Casualty by Michael Pryor
This sci-fi was my least favourite in the anthology. It was well-written and had a ragtag Firefly vibe about it that I was digging till the main story got started and it turned into a transparent dig at one of Australia’s previous conservative government. I don’t have a problem with that, per se (I’m hardly conservative!), but the lack of subtlety detracted from the story for me.
Sundays by Melissa Keil
Melissa Keil is my favourite contemporary YA author because of the way she handles misfits and nerds, and this story really delivers. It’s set over one evening at a wild, drunken party.
Missing Persons by Ellie Marney
This story is a prelude to the Every trilogy (which is a mystery/thriller inspired by Sherlock Holmes), and describes how Rachel Watts meets James Mycroft and Mai Ng. The squee factor will be higher if you have read the trilogy … which I have, so squeee!
Oona Underground by Lili Wilkinson
This is another gorgeous romance about a teen girl in love with her female best friend, but is quite different to One Small Step. It’s magic realism with a bit of a Neverwhere vibe. I’d definitely read more about this world (though I didn’t love Oona as much as I probably should have).
The Feeling from Over Here by Gabrielle Tozer
This is a contemporary set on a coach ride between Canberra and Melbourne, with some use of flashbacks and a lot of desperate texting. It primarily explores school bullying, and the voice is wonderful. One of my favourites!
Last Night at the Mount Solemn Observatory by Danielle Binks
This is another poignant story about a teen girl coming to grips with her older brother’s decision to travel the world after graduation. The two kids are called Bowie and King, which is rather unfortunate, but King is deaf, and the description of the sign language is really fascinating.
Competition Entry #349 by Jaclyn Moriarty
This story was a lot of fun, and competes with The Feeling From Over Here for the most voice. It’s modern day(ish), but with time travel and an amazingly scatterbrained main character. It’s great!
Before Isla’s Inheritance was released, when I was a wee baby writer (so, like, four years ago), I did a lot of reading on author promo. A lot of those articles talked about how you shouldn’t discuss controversial topics such as politics or religion, because you could offend potential readers and scare them away.
Anyone who follows me on Twitter will know that’s a piece of advice I follow more in the breech than the observance, especially these days. The world gives me many feels, many of them ranty. But here on my blog, and on my Facebook author page, I have tended to maintain more of a bookish focus.
Today I’m changing that, just for a minute.
Those of you who are overseas might not be aware, but Australia (to our shame) has yet to legalise marriage equality. Same-sex couples can be recognised as being in a de facto relationship, the same way heterosexual couples can. But marriage confers additional rights to a spouse that a de facto partner isn’t entitled to, mostly around medical issues and death.
The fact we haven’t gotten it done here is due to a whole lot of reasons that boil down to a lack of intestinal fortitude on both side of politics — but, most recently, the extreme right-wing members of our right-wing government have orchestrated a new delaying tactic: a non-binding, voluntary postal survey to see what Australians think of the idea. Let me just repeat that, so you can really appreciate it for what it is. A NON-BINDING*. VOLUNTARY. POSTAL. SURVEY.
*Non-binding as in members of parliament can choose to ignore the results and vote however they want to.
Opponents of such a survey have worried about the kind of campaigns the no vote folks will put out, and the effect that those will have on LGBTQI kids. The first of those ads, sponsored by a coalition of Christian organisations under the guise of “concerned mothers”, aired this week (before the government has gotten around to passing laws to ensure that the advertising around this campaign can’t be misleading or deceptive; best get on that, pollies!).
Unsurprisingly, the arguments put forward by the ad weren’t about why we shouldn’t give equal rights under the law to couples who choose to get married, regardless of what’s in their pants. They were the “thin edge of the wedge” argument: if we allow gays to marry, this will mean that schools will suddenly start educating our children in things we don’t approve of (presumably like empathy and kindness?).
You can read a brilliant deconstruction of the ad here.
The thing that infuriates and upsets me most about this particular ad are the implied judgements. That a kid who is trans and wants to wear a dress to school is somehow deviant (based on the assumption that a man who wants to be female is weak and wrong, with all the glorious sexism that entails). I feel awful for all the trans girls (and cis girls) who see and internalise that message.
One thing I keep reading (when I read the comments, which, I know, is stupid) is that supporters of marriage equality don’t respect religious folks’ rights to equality and to speak their minds. But someone’s opinion that another person doesn’t deserve rights the first person has is not equal to the other’s opinion that they should be treated equally. One is about protecting privilege; the other is about asserting that a citizen of this country has the right to be treated fairly under the law, regardless of their sexual preference.
And people have the right to judge the first person’s exercise of free speech accordingly.
It’s also telling that the cases being made for the no vote are red herrings (horror at school programs promoting tolerance, defence of “free speech”, rejection of “political correctness”). The postal survey doesn’t ask about any of those things; it asks whether people of the same sex should be allowed to marry. But the truth — that some people are religiously or personally uncomfortable with the idea of gay people — is much harder to defend in a way that sways votes.
No one is saying that Christians or followers of any other faith have to marry someone of the same sex. No one is forcing them to officiate a gay wedding, or to attend one. They can regard marriage between a man and a woman as a holy sacrament till the end of days. But they don’t have the moral right to deny others access to the same legal rights under the law that they themselves enjoy. That is the height of arrogance and the definition of privilege.
And, frankly, I’ll never understand why some people are so desperate to interfere in the bedroom lives of other (consenting) adults.
I am a cisgendered middle-aged woman: I identify as the gender I was born with. My awareness of my sexuality has changed over time, from being unquestioningly heterosexual to recognition that I am at least a little bit bisexual. I mean, have you seen Kate McKinnon and Gal Gadot?! (I expect that will be a surprise to anyone in my family that reads this — hi, Mum!) I describe myself as “heterocurious”, generally.
Still, I don’t consider myself to have a direct vested interest in the outcome of the
vote postal survey, because I can’t imagine a situation in my life where I’ll choose to remarry (to either a man or a woman). But, regardless, the result of the survey affects those I love. I have many same-sex attracted friends: gay, lesbian, bisexual and pansexual. I know polyamorous folks who have more than enough love to go around. One of the most amazing children I know is genderqueer (I am learning to say “they” as a singular personal pronoun, something my grammarian heart never thought I’d be able to adapt to). And I know an intersex person — one who was born with genitals that were neither male nor female.
All of these people are valid and almost all of them are potentially affected by the marriage equality vote (with the possible exception of the heterosexual parties to polyamorous relationships; if polygamy becomes legal in my lifetime I’ll be shocked). That makes it my fight.
Both of my book series have LGBT elements, although in neither case is it the main plotline, and the main characters in each case are straight. But the next book I write will be a F/F fantasy steampunk. So I guess this post will have served one purpose if it drives offended readers away from my books: I’ll have filtered them out before I released that book and earned a slew of bad reviews. #winning
Seriously, remember, Australian peeps:
Stripped of her Silver Scale, made a pariah by the Summit, and with a price tag the size of Kentucky on her head, Ayala is on her own. Gregor Gaskin is still missing, and when Ayala discovers he’s far outside the Mediator territory line, she will unravel more about the Summit than she ever thought possible. Finding Gregor will take her far from home, but catching him might hit her right where she lives — and Gregor’s plans may just release hell on earth before she can stop him.
Taken by Storm is the third book in the Ayala Storm series. It doesn’t stand alone, so if you like fast-paced urban fantasy set in an alternate-world USA, I recommend you start with the first book and go from there.
It’s hard to review books this far into a series without spoilers, so please forgive the rather vague review.
Book three continues to deliver on the promises the first two books made: a sassy leading lady who is struggling more and more with who she is and how she fits into her world; an awesome best friend; a hint of romance (but no “love at first sight”); and more fight scenes than you can spray a flamethrower named Lucy at. The story is so fast-paced that it leaves you breathless. Even when you think Ayala might get a bit of downtime, things inevitably go wrong. Poor girl.
Ayala becomes less of a loner, which is great to see (especially after she got schooled in the previous book for complaining she had no friends), and we also discover that she’s bisexual, though it’s not presented as a big deal, just accepted as part of who she is. I really liked that element.
Plot-wise, we get to discover explanations for a few Mediator secrets and about the world more broadly, and there is closure on some story arcs while others — primarily what the demons are up to, which is the primary meta-plot for the series — are elaborated on but not resolved.
As with the previous book, there isn’t any sex. There is situationally appropriate swearing. And I’ve preordered the next (and I believe last?) book in the series, which comes out later this month.
Waiting is hard, you guys.
In case you missed it, this week over at Aussie Owned and Read, I blogged about five new releases that are coming out to keep you warm this winter!
Top Ten Tuesday is a bookish meme where you can link up with other bloggers, write about books, and make lists. It’s perfect! And yes, I know it’s barely Tuesday anymore in Australia as this post goes live, because I’m running late. Disorganised? Me?
Today’s theme is: “Top Ten Things I Like/Dislike When It Comes To Romances In Books.” I’ve gone for a little of column A and a little of column B… And not ten, because I have trouble committing. :p
Characters who are friends first. There’s no doubt that the sizzling attraction of lust-at-first-sight is a thing, but I love the slow build of a relationship that turns from friendship to romance. Traditionally this is written as one person realising before the other. Then awkwardness often ensues. But still, I like the basic idea.
The realistically developed romance. This is tied into the point above, but it applies regardless of whether there’s an existing friendship. I’m not saying that sometimes people don’t jump straight into the sack together (that’s basically a new adult trope!), but I like it when the development of the romance happens over a period of time.
Diversity in relationships. I haven’t read much GLBT fiction so far, but what I’ve read I’ve really liked. I want to read more.
Insta-love. I know I said I like lust-at-first-sight, but love-at-first-sight? No. Nuh uh. I’ve very occasionally seen it done well, but only in instances where some supernatural element — reincarnation, say — is at play. I get really grouchy when two sensible-seeming characters decide that they are destined to be together forever after one date. Ugh.
Broody, asshole men* . You know the trope: he’s a prick to her, either because he’s caught up in his own thing or he’s “trying to drive her away for her own good”. I HATE THAT AS A PLOTLINE. It’s so patronising! I’d prefer to see a man who is willing to fess up about whatever the problem is and let the female lead decide what she’s willing to tolerate.
* I realise this may sound sexist. But the truth is that I can’t recall ever seeing the roles reversed in this situation, with the woman driving the man away for his own good, but maybe I’m missing something.Plots that rely on characters not communicating. I hate it when characters don’t speak their mind when everything suggests that they should, including their own personality. I once threw a book against a wall because the husband commented that his wife must really like the father of the baby she just had, and she said yes (trying to be coy and meaning it was him). He assumed she’d had an affair, because his question was in the third person. And she didn’t correct him, even though he was standing right there. I still get mad about that.
Relationships fixing brooding, asshole men*. Fifty Shades of Grey. Enough said.
*And women. But, again, it’s usually men. Written by women writers, which I find baffling.
Well, that ended on a crude note. Thanks very much, Missy!
What would you add to my list? What books would you recommend, or not recommend, based on it? 🙂
Today I’m interviewing Suzanne van Rooyen, whose LGBT YA, The Other Me, came out on 19 December. Suzanne is originally from South Africa but ended up in Finland after a short stay in Perth, Australia.
First and foremost: why did you leave Australia? Was it something I said?!
Haha, probably not 😉 South Africans are often told that moving to Australia is like a home away from home. It isn’t and I wasn’t prepared for the culture shock. I was also living in Perth, which might not be the nicest city in Australia. While there were some things I absolutely loved about Australia – like living a five-minute walk from the beach, the size of the ravens and waking up to a chorus of cockatoos – ultimately, the heat (so much hotter than I’d ever experienced in SA!) and the lack of job opportunities for my then-boyfriend-now-husband made the move to Finland all the more appealing.
The Other Me is your first contemporary release after a series of science fiction works. Can you tell us about it?
With pleasure! I blog over at YAtopia and one of my fellow bloggers and authors there, Lisa Burstein, made a comment once about how in writing the author needs to open a vein and bleed a little. This had a huge impact on me and ever since then, those words niggled and gnawed until I eventually quit my zombie WIP and started writing a far more personal story. Inspired by my high school experiences at a Catholic all-girls school in South Africa, that novel became The Other Me. This is the story of fifteen-year-old Treasa, who thinks she’s an alien – the kind from outer-space with embarrassing tentacles – because she can’t come up with a better explanation for why she feels so out of place at her school or in her own skin. It takes falling for an emotionally scarred boy with baggage of his own for Treasa to understand, and accept, who she truly is.
You’ve said that the story is incredibly personal to you. Do you think that made it harder or easier to write?
In some ways easier because the emotions were real and the situations were largely inspired by my own experiences (I honestly went through a stage believing I must be from Mars because I felt so weird and ostracized by my peers) – not always my direct experiences, but experiences friends and family members had. This also made it harder because I needed to maintain the distance between fact and fiction while still tapping into that emotional well. I’d never really believed authors could cry while writing – I mean, just change the story so it’s not so sad, or how can it affect them when they know what’s coming? But I cried while writing The Other Me and in places I didn’t expect it, where the characters ambushed me with their own emotions and reactions to the situations I placed them in. While this story may have started out inspired by personal experience, it took on a life of its own, becoming Treasa’s and Gabriel’s story, and no one else’s.
Does it affect how you feel about the idea of people you know reading it? (My debut hasn’t been released yet and I’m quite frankly terrified!)
Oh yes, I’m terrified of people reading it and miscontruing fiction for fact. I’m also really excited because this book is different and it doesn’t mince its words. Treasa has an important story to tell, and so does Gabriel. As afraid as I am about how people might react to me, the author, I’m more excited to see how people might connect and relate to my characters. Ultimately, this is a story that needed telling and I have no control over readers’ reactions. I’m trying to be Zen about it. *munches all the cookies and eyes the red wine longingly*
What is your next project? If it’s a secret I promise not to tell anyone. *shifty eyes*
My next to-be-published work is a quirky YA science fiction novel called I Heart Robot, which will be released from Month9Books in 2015.
My current WIP is set in the I Heart Robot universe, but across the Atlantic, and is all about cyborgs instead of androids.
You’re also the publicity manager for Entranced Publishing. What’s the single biggest piece of advice you’d give to a new author?
I’ve been asked this a lot recently and I’m not sure I’m qualified to answer it considering I still feel like a ‘new’ author myself. Perhaps the best advice I can give others is the type of advice I wish people had given me when I first entered the industry:
Be authentic and be sincere especially in online social media. The cultivated persona will only take you so far.
Persevere and have patience. Publishing is a waiting game: waiting to hear from agents, to hear from editors, for a book release, for reviews, for the shiny new idea… It all takes patience.
Dream big but set realistic goals. Chances are your first book deal won’t be six figures and go straight to film. That doesn’t mean you can’t dream about that one day being a reality, but in the mean time set attainable goals to avoid disappointment and disillusionment.
When in doubt, keep writing. As Ray Bradbury said, “You fail only if you stop writing.”
Quick! Choose! Science fiction or fantasy? Small press or traditional? The West Wing or Game of Thrones? Coffee or tea?
Gah! You’re seriously making me choose between all the things I love!?
Fantasy – it’ll always be my first love and first choice for reading
Small press – my experiences so far have been wonderful
Game of Thrones – only because of the dragons!
Coffee – because there’s just no starting the day without it
Suzanne is an author and peanut-butter addict from South Africa. She currently lives in Finland and finds the cold, dark forests nothing if not inspiring. Although she has a Master’s degree in music, Suzanne prefers conjuring strange worlds and creating quirky characters. When not writing you can find her teaching dance and music to middle-schoolers or playing in the snow with her shiba inu. She is rep’d by Jordy Albert of the Booker Albert Agency.