Review: ‘The Demon’s Lexicon’ by Sarah Rees BrennanPosted: July 12, 2018
Nick and his brother Alan are on the run with their mother, who was once the lover of a powerful magician. When she left him, she stole an important charm – and he will stop at nothing to reclaim it. Now Alan has been marked with the sign of death by the magician’s demon, and only Nick can save him. But to do so he must face those he has fled from all his life – the magicians – and kill them. So the hunted becomes the hunter … but in saving his brother, Nick discovers something that will unravel his whole past…
It’s been a little while since I finished The Demon’s Lexicon, but life got busy and I haven’t had a chance to review it till now. That means this review might be a little on the short side, but I still remember the highlights.
As far as genres go, urban fantasy is my favourite and my best; you’ve probably guessed that if you’ve read any of my books. It’s also hard to find urban fantasy rather than paranormal romance, and I powered through this book because of that, happy as my dog when he sticks his face in front of the hose. (Just go with me here.)
Here are the things I loved:
Nick. This surprises me, because he’s the sort of brooding leading male that I cannot stand in paranormal romance novels. But because the story is told from his point of view, we get to see inside his head. We see his emotions (mostly fury or bafflement), and hear his thoughts. He clearly loves his brother, but he seems completely incapable of articulating that, or much of anything other than frustration and smart arse comments.
Nick lives in his head, even when it pains his brother, Alan, and when — to the reader — the solution is obvious. He isn’t a particualrly nice character, but he is fascinating. I enjoyed spending time with him in this book (though I definitely wouldn’t want to in real life, and I sure as hell wouldn’t date him). I’m in awe of Brennan for making a thoroughly dislikable character so fascinating.
The brothers. This falls out of the first point. It was so nice to see a portrayal of brotherly love in a book, prioritised far and above the tenuous romance plotlines with side character Mae. Alan and Nick have each other’s backs. For Nick, it has always been that way — Alan has always been there for him.
That’s why the merest hint that Alan might be keeping secrets sends him into a tailspin. It’s clear to the reader (I keep saying that, but there really are two layers to this story — what we see, and what Nick can comprehend) that Alan loves his brother and has his best interests at heart. But poor Nick just can’t see it.
The twist. Boy howdy. I sort of half guessed, but Brennan took it all the way. The ending alone earns this book a whole star on its own.
(The only thing that makes me sad is that I want to buy the second book in the same edition as the first, and it’s currently sold out on The Book Depository. Wah!)