Mini-review: ‘Crown of Midnight’ by Sarah J. Maas

“A line that should never be crossed is about to be breached.
It puts this entire castle in jeopardy—and the life of your friend.”

From the throne of glass rules a king with a fist of iron and a soul as black as pitch. Assassin Celaena Sardothien won a brutal contest to become his Champion. Yet Celaena is far from loyal to the crown. She hides her secret vigilantly; she knows that the man she serves is bent on evil.

Keeping up the deadly charade becomes increasingly difficult when Celaena realizes she is not the only one seeking justice. As she tries to untangle the mysteries buried deep within the glass castle, her closest relationships suffer. It seems no one is above questioning her allegiances—not the Crown Prince Dorian; not Chaol, the Captain of the Guard; not even her best friend, Nehemia, a foreign princess with a rebel heart.

Then one terrible night, the secrets they have all been keeping lead to an unspeakable tragedy. As Celaena’s world shatters, she will be forced to give up the very thing most precious to her and decide once and for all where her true loyalties lie… and whom she is ultimately willing to fight for.

After I reviewed Throne of Glass, I had a few people tell me to persist, because the story gets better. I liked the first book well enough to continue (I just thought Celaena was all talk as far as the “greatest assassin in the land” thing goes), and I’m happy to report that my advisers were correct.

This book is better than the first one. There’s less focus on pretty dresses (although they do get a mention) and more on scheming, stalking, stabbing and snogging — not necessarily in that order. Also betrayal, magic and bad guys. I love the magic in this series, and the ancient mysteries. I am so there for those.

My main reason for not giving this book the full five-star treatment is that I occasionally found Celaena annoying, and more than a little dense. There is one point in the book where she’s given a riddle, and the first part of the answer is blindingly obvious, but it takes her an age to figure it out. (When another character mocked her for taking so long, there was vigorous nodding on my part. Although, to be fair, she had other stuff going on…) I also found her reactions to a couple of key events in the story a little … well, erratic? It’s hard to say more than that without spoilers, but I’m sure that those who’ve read the book know what I mean. 😉

Still, my initial complaint that Celaena was all talk as far as the killing goes was addressed to my satisfaction (though I don’t know what that says about me!). I’ve already downloaded the audiobook of the third in the series, and I’m looking forward to finding out what happens next.

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Review: ‘Dreadnought’ by Cherie Priest

Nurse Mercy Lynch is elbows deep in bloody laundry at a war hospital in Richmond, Virginia, when Clara Barton comes bearing bad news: Mercy’s husband has died in a POW camp. On top of that, a telegram from the west coast declares that her estranged father is gravely injured, and he wishes to see her. Mercy sets out toward the Mississippi River. Once there, she’ll catch a train over the Rockies and―if the telegram can be believed―be greeted in Washington Territory by the sheriff, who will take her to see her father in Seattle.

Reaching the Mississippi is a harrowing adventure by dirigible and rail through war-torn border states. When Mercy finally arrives in St. Louis, the only Tacoma-bound train is pulled by a terrifying Union-operated steam engine called the Dreadnought. Reluctantly, Mercy buys a ticket and climbs aboard.

What ought to be a quiet trip turns deadly when the train is beset by bushwhackers, then vigorously attacked by a band of Rebel soldiers. The train is moving away from battle lines into the vast, unincorporated west, so Mercy can’t imagine why they’re so interested. Perhaps the mysterious cargo secreted in the second and last train cars has something to do with it?

Mercy is just a frustrated nurse who wants to see her father before he dies. But she’ll have to survive both Union intrigue and Confederate opposition if she wants to make it off the Dreadnought alive.

This is the second book in the Clockwork Century series (I reviewed the first book here). You don’t need to read the first book before this one, though it wouldn’t hurt and will give you some of the backstory around characters we only see in passing in this one.

The series is an alternative version of the American civil war, but with steampunk tech and zombies. It’s basically made for me, you guys!

I really liked the first book, Boneshaker, but I loved Dreadnought. Part of that is because it’s not a split point-of-view book — I don’t mind those, but they aren’t my favourite. Another part is that we don’t have a sometimes-annoying teenage boy as one of the point-of-view characters. (Sorry, Zeke.) A third part was that the zombie threat is mostly the “creeping dread” kind than the teeming horde kind, which was sinister and chilling and kept me hooked.

Mercy was a delightful leading lady: a young nurse who is by turns ladylike and swears like a trooper (learned in the hospital, no doubt). She isn’t afraid to take charge when direction is needed, and she has a bedside manner that is both disarming and tough when it needs to be.

She knows how to shoot a gun, but almost all of Mercy’s involvement in the story’s action revolves around her nursing others as best she can in a war zone (or a zombie apocalypse). I found that part of the story fascinating and disturbing in turns — we aren’t exactly talking modern medicine here. And the story is so action-packed that Mercy definitely gets a lot of chances to work her trade.

Briar, the main character in Boneshaker, is still my fave due to the single mother solidarity thing, but Mercy runs a close second.

This series hasn’t contained any romance so far (though I’ve already started the third book and there a charming development brewing). But if you’re okay with that and love spec fic, Dreadnought is definitely worth checking out.


Mini-review: ‘Throne of Glass’ by Sarah J. Maas

Meet Celaena Sardothien.
Beautiful. Deadly.
Destined for greatness.

In the dark, filthy salt mines of Endovier, an eighteen-year-old girl is serving a life sentence. She is a trained assassin, the best of her kind, but she made a fatal mistake. She got caught.

Young Captain Westfall offers her a deal: her freedom in return for one huge sacrifice. Celaena must represent the prince in a to-the-death tournament—fighting the most gifted thieves and assassins in the land. Live or die, Celaena will be free. Win or lose, she is about to discover her true destiny. But will her assassin’s heart be melted?

I’m coming to this series pretty late — I bought it a while ago because the cover was just that awesome, but it took a while to filter to the top of my tbr (and I actually ended up listening to it on audiobook, so the paperback never even got opened — oops).

I found the story engrossing enough, though the main character is nowhere near as tough as I thought she’d be, given that whole “best assassin in the land” thing. She talks the talk, but we rarely see her walk the walk. I mean, she has all of the thief skills associated with your typical assassin, and is good with poisons, but she isn’t cut-throat by any stretch of the imagination. I struggle to imagine her actually killing someone for money.

She also likes pretty dresses and parties. I actually like this about her, because I don’t think a character has to be unfeminine to be tough. But I can see that she gets a lot of hate from that, and it definitely distracts her at times when she should be focused on the competition.

I liked how bad the bad guys were, and the way that the fantastical elements were woven through. (There’s also a love triangle, which I didn’t mind — though I never really had a preference between the blokes in question — but others might find trope-y.) I’ll definitely download the sequel when I get my next Audible credit. But if you’re looking for a more-gritty story about an assassin, then I’d recommend Nevernight by Jay Kristoff over Throne of Glass.

 

 


Review: ‘Bitter Truth’ by Lauren K. McKellar

Book #2 in the Twisted Hearts duet

You can run, you can hide, but the truth will always find you.

Everly Jenkins knows darkness — but that doesn’t stop her living life to the max. Not until she meets Cameron Lewis, the tragic reminder of her past that she just can’t seem to shake.

Being “just friends” with a man who sends her soul flying and her body up in flames is near impossible — until her secrets come out, leaving her alone.

Will the darkness overcome her once again? Or will Everly fight for the man she loves and help him face the bitter truth?

I’m going to keep this review as spoiler-free as I can, which means being cryptic (and therefore fairly brief).

The first thing you need to know is that you really shouldn’t start with the second book in this series. You’ll be hella confused, and miss all of the good feels in the first book, which I reviewed here. That being said, the first third or so of Bitter Truth covers the same events as in Honest Love, but from Everly’s perspective. I really enjoyed this part of the book, with its glimpses into what Everly’s deal really is.

I enjoy Everly as a character. She’s gone through some pretty dark times and come out the other side with the willingness to fight, not just for herself but for Cameron and what he wants more than anything else as well — custody of his baby girl, Piper. She fights for him when he doesn’t even want to see her, and frankly I’m glad this part of the story was from her perspective rather than his, because I found his slump at the start of Bitter Truth a little frustrating (if understandable).

Lauren K. McKellar does what she describes as “romance with feels”, and one of the things that has made her an auto-buy for me is that her books never feel predictable even while they stay true to the romance genre (which can be rather formulaic). There was one moment in Bitter Truth where I was absolutely certain I knew what was going to happen next. I really struggle with super-cringeworthy moments in fiction (you know, the ones where you want to hide your face so you don’t die of secondary embarrassment), and I thought this was going to be one of them — so much so that I had to put the book down and gather myself in order to keep reading.

I should’ve had more faith, because not only did what I was expecting not happen but the whole story took a turn for the even-more-awesome.

This duology has a smoking hot couple, an adorable toddler, a conniving ex who still manages to be somewhat sympathetic at times, some tragedy, some steamy sex scenes, lots of beach scenes that made me hanker for my next coastal holiday, and a happily ever after. What more could you want?


Review: ‘The Demon’s Lexicon’ by Sarah Rees Brennan

Nick and his brother Alan are on the run with their mother, who was once the lover of a powerful magician. When she left him, she stole an important charm – and he will stop at nothing to reclaim it. Now Alan has been marked with the sign of death by the magician’s demon, and only Nick can save him. But to do so he must face those he has fled from all his life – the magicians – and kill them. So the hunted becomes the hunter … but in saving his brother, Nick discovers something that will unravel his whole past…

It’s been a little while since I finished The Demon’s Lexicon, but life got busy and I haven’t had a chance to review it till now. That means this review might be a little on the short side, but I still remember the highlights.

As far as genres go, urban fantasy is my favourite and my best; you’ve probably guessed that if you’ve read any of my books. It’s also hard to find urban fantasy rather than paranormal romance, and I powered through this book because of that, happy as my dog when he sticks his face in front of the hose. (Just go with me here.)

Here are the things I loved:

Nick. This surprises me, because he’s the sort of brooding leading male that I cannot stand in paranormal romance novels. But because the story is told from his point of view, we get to see inside his head. We see his emotions (mostly fury or bafflement), and hear his thoughts. He clearly loves his brother, but he seems completely incapable of articulating that, or much of anything other than frustration and smart arse comments.

Nick lives in his head, even when it pains his brother, Alan, and when — to the reader — the solution is obvious. He isn’t a particualrly nice character, but he is fascinating. I enjoyed spending time with him in this book (though I definitely wouldn’t want to in real life, and I sure as hell wouldn’t date him). I’m in awe of Brennan for making a thoroughly dislikable character so fascinating.

The brothers. This falls out of the first point. It was so nice to see a portrayal of brotherly love in a book, prioritised far and above the tenuous romance plotlines with side character Mae. Alan and Nick have each other’s backs. For Nick, it has always been that way — Alan has always been there for him.

That’s why the merest hint that Alan might be keeping secrets sends him into a tailspin. It’s clear to the reader (I keep saying that, but there really are two layers to this story — what we see, and what Nick can comprehend) that Alan loves his brother and has his best interests at heart. But poor Nick just can’t see it.

The twist. Boy howdy. I sort of half guessed, but Brennan took it all the way. The ending alone earns this book a whole star on its own.

(The only thing that makes me sad is that I want to buy the second book in the same edition as the first, and it’s currently sold out on The Book Depository. Wah!)


Australian Women Writers Challenge – 2018 wrap up (?)

The Australian Women Writers’ Challenge is part of a world-wide movement to raise awareness of excellent writing by women. It helps readers to challenge the subconscious stereotypes that govern our choice of books to read. The challenge encourages avid readers and book bloggers, male and female, Australian and non-Australian, to read and review books by Australian women throughout the year. You don’t have to be a writer to sign up. You can choose to read and review, or read only.

Last year, I failed both the reading challenges I set myself (Goodreads and Australian Women Writers), largely because I spent a lot of the year absorbed in Brandon Sanderson’s Stormlight Archive books, and those things are huuuuuge.

So this year I moderated my expectations of myself — reading and reviewing 10 books by Australian women writers (instead of 15), and reading 30 books overall instead of 40. But I’m up to date on my Stormlight books.

All this is by way of explaining why we’re only halfway through the year and I’m writing my “mission accomplished” post for the AWW challenge. :p

Here is a link to each review, as well as my star rating for each book. They are listed in chronological order.

*Yes, Jay is a dude, but Amie isn’t. So nyah.

** Yes, Meagan is American, but Amie isn’t. See above re: “nyah”.

And here’s a genre breakdown for those that like numbers:

  • Romance: 3
  • Young adult contemporary: 2
  • Speculative fiction: 5
    • Middle grade fantasy: 2
    • Science fiction: 2
    • Steampunk historical: 1

There are other excellent books by Australian women on my TBR pile, so I’m sure I’ll add to this list as the year progresses (I want to get to at least 15, to prove that I can). Still, I can tick this challenge off for the year. Woohoo!


Revew: ‘A Thousand Perfect Notes’ by C.G. Drews

An emotionally charged story of music, abuse and, ultimately, hope.

Beck hates his life. He hates his violent mother. He hates his home. Most of all, he hates the piano that his mother forces him to play hour after hour, day after day. He will never play as she did before illness ended her career and left her bitter and broken. But Beck is too scared to stand up to his mother, and tell her his true passion, which is composing his own music — because the least suggestion of rebellion on his part ends in violence.

When Beck meets August, a girl full of life, energy and laughter, love begins to awaken within him and he glimpses a way to escape his painful existence. But dare he reach for it?

I bought A Thousand Perfect Notes the same day that it arrived at my local bookstore (I checked the delivery date) and gobbled it up that night. The author is Cait from the popular Aussie blog Paper Fury; she has such a hilarious writing style on social media that you might — if you know her work — go into this book expecting it to be full of sunshine and cake.

Well, it does have cake, at least. And maybe a little sunshine, mostly in the form of the delightful August. But there’s a lot of darkness in this story. Beck is terrorised by his mother, both physically and psychologically. He has zero sense of his own self-worth, despite being a genius player and an even better composer. There were so many times that I wanted to just sweep him up and take him and his kid sister away, or get them some sort of help (or drop a piano on their mother, not gonna lie).

Part of me can’t even comprehend a world where a boy could be so thoroughly abused and no adults would step in to help, and that’s why it’s so important for me to read a story like this one, even though parts of it made me feel kind of queasy. For example, the shame Beck feels for being a fifteen-year-old boy abused by his mother feels so real. His efforts to keep his distance from August because he’s afraid of what his mother will do if she finds out he’s wasting perfectly good practice time on a friend (or even to complete a group assignment) are so, so sad. And his desire to protect his five-year-old sister from his mother’s wrath were super sweet, even as it made me furious that he needed to.

August is, on the surface of things, a Manic Pixie Dream Girl (dear god, someone make her wear shoes!), but she has depth that a MPDG doesn’t, with her desire to get straight As in school and to save every animal in the world — even some that maybe shouldn’t be saved. She has hippy veterinarians for parents, eats hipster vegitarian food and isn’t afraid to stand up for herself. She also doesn’t rush into a relationship with Beck, even though she clearly grows to like him. The evolution of their friendship into something that could be more is sweet to see.

Joey, Beck’s sister, is a wildcat in glitter and gum boots. I adored everything about her, even as I wouldn’t want to parent her. Yikes! (Of course, if she were actually being parented, then I expect she wouldn’t be so violent in the first place…) And the descriptions of Beck’s music are magical. I don’t know classical music that well, but this story let me feel the mood of music by different composers.

A Thousand Perfect Notes is a quick read that will break your heart, but you should read it anyway.