Review: ‘All Aces’ by Ellie Marney

A teenage contortionist and a young cardsharp risk danger to right a family legacy of injustice…

Nineteen-year-old contortionist Ren Putri is committed to circus, study and self-discipline – in that order. But after being rescued from a carnival fire by cardsharp Zep Deal, she’s overwhelmed by some highly disorderly thoughts. Zep has a history of trouble, and now he’s been suspected of sabotaging the circus that’s become his whole life. Ren is already coping with family, and keeping secrets of her own – but she can’t resist a mystery. Will Ren’s penchant for solving puzzles bring the case against Zep to rights, or will digging further into the bad blood between rival carnivals only put them both in danger?

Dark YA romance, with a criminal twist – Circus Hearts: Step. Right. Up.

I read this book hot on the heels of All Fall Down (book two in the series) and I loved it almost as much. I’ve spent a bit of time thinking about why it wowed me slightly less — and don’t get me wrong, I still gave it 4.5 stars, and it was still awesome. I mean, it has a main character who is, if anything, even more interesting than either Sorsha or Fleur from the previous books. Sorsha was struggling with trauma but is overall very sweet, and Fleur is an alpha personality who doesn’t like to ask for help, but Ren shows the signs of having obsessive compulsive disorder.

I love that Marney and the other characters don’t make a thing about it — this isn’t a book about OCD, if that makes sense — it’s just a book where the main character has these traits but is also an awesome contortionist and a very determined young lady who is out to save a hot guy she knows and has decided, against the advice of her friends, to befriend.

The relationship between her and Zep is a bit more of a slow burn than either of the previous two, but they had some awesome chemistry and Marney’s ability to write a hot kissing scene has not diminished as this series has progressed. Oof! As with the first book, especially, I loved the description of each of their talents: Ren’s contortionism and Zep’s cardsharp skills.

One of my tiny niggles with the book — and there are slight spoilers for book two here — is that it seemed to start off on a slightly odd note; I don’t know why the circus folk would be giving Zep side eye and assuming he might have been directly responsible for the accidents in All Fall Down when the perpetrator had been arrested at the end of the previous book. (Maybe they assumed he was a co-conspirator and I missed it? I mean, it could have been true — but he did save Ren during one of the incidents, so he’d have had to be in two places at once.)

Another thing I found a bit jarring but that was 100% in character was Ren’s decision-making around the trouble she gets herself and Zep into over the course of this story. Talk about stirring up a hornet’s nest! But given the way that she thinks about the world — as a puzzle or a problem to be solved — I can also see her wanting to take charge the way she did. She also comes from a complicated, more traditional family situation where her mother is trying to pressure her to leave the circus, and her perceived inability to break free from that was definitely a contributing factor.

Overall, I’m sad this book has ended and that the series was only a trilogy. You should 100% check it out if you like books that blend romance, crime and carnival life into a spangled, steamy whole!

Review: ‘All Fall Down’ by Ellie Marney

A ringmaster’s daughter and a bearded lady’s son join forces to stop a saboteur…

Nineteen-year-old Fleur Klatsch is loyal to her trapeze team and her ringmaster father, dedicated to the circus, and tough on everyone around her. After a series of accidents at Klatsch’s Karnival, Fleur is left holding the ball: she’s running the carnival, trying to stop a saboteur, and taking care of her dad. She doesn’t need anyone’s help, least of all Eugenia Deloren’s son, Marco, who’s been trying to break out of show life since the moment he was born into it. All Marco needs to do is get Klatsch’s back on its feet so he can leave. But after one fateful kiss with Fleur, will he really want to? And will Fleur and Marco figure out who’s trying to kill the show before someone kills them…

Dark YA romance with a criminal twist – Circus Hearts: Step. Right. Up.

This book is set a few months after the events in All the Little Bones, and follows a different pair of characters, Fleur and Marco. In fact, each book in this trilogy focuses on a different romance with the same overarching setting (like Amie Kaufman and Meagan Spooner did in the Starbound series). Strictly speaking, you don’t need to read the first book to appreciate the second, but it would definitely help give useful context for events early on.

I was a bit apprehensive going into this one because Fleur is a bit of a typical “mean girl” and a spoiled brat in the first book — Sorsha interprets a lot of what she does as resulting from feeling threatened because Sorsha is a better trapeze artist than Fleur (not arrogance, just truth). But even in the first book it was clear that Fleur thought that Sorsha and her monumental baggage were a threat to the circus more broadly, not just to her personally. I liked that nuance. Of course, that didn’t stop Fleur from doing something stupid, which she is still paying for at the start of All Fall Down.

Fleur does learn from her mistakes, though she is still far from perfect: she’s proud, stubborn and doesn’t want to ask from help, least of all from Marco, the childhood friend that disappeared from her life. Still, she doesn’t have a choice, and over the course of the book she really grows into a leader who not only thinks about the wellbeing of her employees but earns their trust too.

Like the relationship between Colm and Sorsha, the one between Fleur and Marco is sizzling and built on a solid base of friendship. Hawt. I also appreciated that the obstacles to the romance in this book don’t feel contrived (my pet peeve in romance, as I mentioned last time — I once threw a book across the room because one of those obstacles would have been so easily addressed by the main character if she’d bothered!).

The crime element of this story is more front and centre than in All the Little Bones; I really enjoyed trying to figure out who was behind the “accidents”, and wondering what was going to happen next.

I can’t rave about this series enough, you guys.

Review: ‘All the Little Bones’ by Ellie Marney

A teenage trapeze artist and an apprentice strongman on the run from a terrible crime…

Seventeen-year-old Sorsha Neary’s life is changed in one night when she defends herself behind the vans of her family circus troupe. Now Sorsha and apprentice strongman Colm Mackay are travelling south, to evade the fallout and escape the long arm of the law. All they have in their favour is talent, an old promise, and slim acquaintance with the crew members and performers of their new home, Klatsch’s Karnival. But the question for Sorsha and Colm isn’t if the police will catch up with them, but when…

Dark YA romance, with a criminal twist – Circus Hearts: Step. Right. Up.

I’ve read Ellie Marney’s Every trilogy (you can read the reviews of those books here) but I didn’t realise that she’d also self-published a trilogy of books set in a circus until recently. When I saw them, I had to snap the first book up. I read it recently, during a reading binge while I was on holidays, and then I had to download the second and third books the next time I had internet access because I was so captivated by the first one.

I thought about reviewing all three in one post, because I read them back-to-back and all of my thoughts about them are a bit jumbled up, but I’ll try to unpick them and be coherent about All the Little Bones specifically.

The story is told from the perspective of 17-year-old trapeze artist Sorsha, who from the first line is clearly running from a trauma that she doesn’t want to dwell on and that she’s been pushed to duck responsibility for. The trauma is fresh, and she’s still in the “nightmares and vomiting” stage of coping with it. Poor thing. I just wanted to give her hugs, cookies, and the name of a rock solid therapist and lawyer.

Beside her is Colm, who is sweet and supportive, throwing away everything he had and taking literal beatings to keep Sorsha safe. He is adorable and a great fit for her; her healing process throughout the story is in part due to him.

Still, despite the romance sub-plot, this isn’t a romance genre novel — although boy howdy, can Marney write a kissing scene! Sorsha and Colm start out clearly attracted to one another, and there’s no big, contrived fall-out between them to generate plot partway through (which is my least favourite romance genre trope). I’d describe Every as a young adult crime series rather than a romance one. All the Little Bones is a little less crime-focused in that the crimes take place before the book starts; it’s more focused on the aftermath.

And it’s focused on the circus! I loved that as a setting — it, as much as Marney’s gorgeous prose, is what made me gobble up this book and spend my mobile phone data downloading the next two. I love the glitz and glam, the behind-the-scenes action, the second-hand thrill of performing (which I’d hate in real life, let’s be real). It was so much fun to read about.

Definitely check this one out.