Review: ‘This Is Where It Ends’ by Marieke NijkampPosted: March 22, 2018 Filed under: Reviews | Tags: contemporary, lgbt, reviews Leave a comment
10:00 a.m. The principal of Opportunity High School finishes her speech, welcoming the entire student body to a new semester and encouraging them to excel and achieve.
10:02 a.m. The students get up to leave the auditorium for their next class.
10:03 a.m. The auditorium doors won’t open.
10:05 a.m. Someone starts shooting.
Told from four different perspectives over the span of fifty-four harrowing minutes, terror reigns as one student’s calculated revenge turns into the ultimate game of survival.
This book caught my eye last weekend in the bookstore because I recognised the author’s name from her involvement in the writing community, particularly as a PitchWars mentor. Then I read the blurb and the idea of it gave me chills, especially in light of what happened in Florida at Marjory Stoneman Douglas High last month.
This Is Where It Ends didn’t disappoint.
First, while I’m talking about the blurb, let me say that it’s a tiny bit misleading. This book isn’t really a “game of survival” — it’s not The Hunger Games set in a high school or anything like that. I loved THG, but TIWIE is contemporary, not spec fic; it is more realistic, and more dreadful. None of the characters manifest cool ninja superpowers or a talent with a crossbow that saves the day. They are scared teenagers who don’t want themselves or their loved ones to die.
Some of the story is told through flashbacks; the four characters all have a connection to the shooter in one way or another, and we get to explore that as the story progresses. But I don’t want to go into those connections any further, because there is a minor spoiler involved in who the shooter actually turns out to be.
The four characters are Autumn, the dancer from an abusive home; her girlfriend, Sylv; Sylv’s twin brother and teen rebel, Tomas; and track star Claire. Through them we get to see the shooting unfold from different points around the school. This means that — even at times when the characters trapped in the auditorium can’t do a lot other than watch and try not to die — the other characters have some ability to try and affect events, even in a small way. The way the storylines were interwoven was very well done, and all of the characters were well-rounded. (My only minor criticism is that I found the voices of all four characters rather similar. But each section starts with the narrator’s name, so it’s still easy to follow along.)
Another device that TIWIE uses is social media, with Twitter and blog posts at different points, as the event unfolds. Having read some of the tweets from during the Florida shooting, these particularly undid me (a little awkward when I was reading in the doctor’s waiting room, not gonna lie). They were so real — complete with a troll — and through them we got to watch smaller stories play out over the course of the larger one.
TIWIE isn’t a light read, by any means, but it is a powerful one, especially in light of the #NeverAgain movement. It doesn’t take a position on gun control — not overtly — but the fictional shooter in this book is so much like the real-life shooters we read about in school shootings. And he obtained his gun legally. Make of that what you will.