Review: ‘Godsgrave’ by Jay KristoffPosted: March 26, 2018
A ruthless young assassin continues her journey for revenge in this new epic fantasy from New York Times bestselling author Jay Kristoff.
Mia Corvere has found her place among the Blades of Our Lady of Blessed Murder, but many in the Red Church hierarchy think she’s far from earned it. Plying her bloody trade in a backwater of the Republic, she’s no closer to ending the men who destroyed her familia; in fact, she’s told directly that Consul Scaeva is off limits. But after a deadly confrontation with an old enemy, Mia suspicions about the Red Church’s true motives begin to grow.
When it’s announced that Scaeva will be making a rare public appearance at the conclusion of the grand games in Godsgrave, Mia defies the Church and sells herself to a gladiatorial collegium for a chance to finally end him. Upon the sands of the arena, Mia finds new allies, bitter rivals, and more questions about her strange affinity for the shadows. But as conspiracies unfold within the collegium walls, and the body count rises, Mia will be forced to choose between love and revenge, and uncover a secret that could change the very face of her world.
This is the second book in the Nevernight Chronicles (you can see my review of the first book here). Now, given that Jay Kristoff and co-writer Amie Kaufmann have a fabulous, bestselling YA series together, you might think this was YA. You’d be wrong. As I said about the first book, Godsgrave contains pretty much all those adult themes that make conservative school librarians faint: a bisexual main character, swearing, explicit sex and violent murder.
But if the idea of those things doesn’t bother you, and you love the idea of seeing a complex, dystopian fantasy world brought undone by a cold teenage killer, then this is the book for you.
If you took medieval Venice, mixed in some Ancient Rome, and added a daub of original World of Darkness Vampire: the Masquerade (but minus the vampires), you’d get the world of Godsgrave. Slaves, gladiators, masked balls, a looming and evil godlike presence, a secretive cult of assassins, a dissolute and entitled nobility that is either clueless or wilfully cruel — this book has it all.
And then there’s Mia. She was forced to watch her father hanged by her mother when she was a child, and was then taken in by a retired assassin who set her on that path. When you add in the fact that she can manipulate the shadows and is followed around by slices of shadow that eat her fear so she simply doesn’t feel it, she’s a little broken — although that spark of empathy we saw in her in the first book is still there, buried deep.
The plot twists and turns like a twisty, turny thing. And I didn’t see most of them coming, which always fills me with glee. I can’t wait to see what Mia does next.