Nurse Mercy Lynch is elbows deep in bloody laundry at a war hospital in Richmond, Virginia, when Clara Barton comes bearing bad news: Mercy’s husband has died in a POW camp. On top of that, a telegram from the west coast declares that her estranged father is gravely injured, and he wishes to see her. Mercy sets out toward the Mississippi River. Once there, she’ll catch a train over the Rockies and―if the telegram can be believed―be greeted in Washington Territory by the sheriff, who will take her to see her father in Seattle.
Reaching the Mississippi is a harrowing adventure by dirigible and rail through war-torn border states. When Mercy finally arrives in St. Louis, the only Tacoma-bound train is pulled by a terrifying Union-operated steam engine called the Dreadnought. Reluctantly, Mercy buys a ticket and climbs aboard.
What ought to be a quiet trip turns deadly when the train is beset by bushwhackers, then vigorously attacked by a band of Rebel soldiers. The train is moving away from battle lines into the vast, unincorporated west, so Mercy can’t imagine why they’re so interested. Perhaps the mysterious cargo secreted in the second and last train cars has something to do with it?
Mercy is just a frustrated nurse who wants to see her father before he dies. But she’ll have to survive both Union intrigue and Confederate opposition if she wants to make it off the Dreadnought alive.
This is the second book in the Clockwork Century series (I reviewed the first book here). You don’t need to read the first book before this one, though it wouldn’t hurt and will give you some of the backstory around characters we only see in passing in this one.
The series is an alternative version of the American civil war, but with steampunk tech and zombies. It’s basically made for me, you guys!
I really liked the first book, Boneshaker, but I loved Dreadnought. Part of that is because it’s not a split point-of-view book — I don’t mind those, but they aren’t my favourite. Another part is that we don’t have a sometimes-annoying teenage boy as one of the point-of-view characters. (Sorry, Zeke.) A third part was that the zombie threat is mostly the “creeping dread” kind than the teeming horde kind, which was sinister and chilling and kept me hooked.
Mercy was a delightful leading lady: a young nurse who is by turns ladylike and swears like a trooper (learned in the hospital, no doubt). She isn’t afraid to take charge when direction is needed, and she has a bedside manner that is both disarming and tough when it needs to be.
She knows how to shoot a gun, but almost all of Mercy’s involvement in the story’s action revolves around her nursing others as best she can in a war zone (or a zombie apocalypse). I found that part of the story fascinating and disturbing in turns — we aren’t exactly talking modern medicine here. And the story is so action-packed that Mercy definitely gets a lot of chances to work her trade.
Briar, the main character in Boneshaker, is still my fave due to the single mother solidarity thing, but Mercy runs a close second.
This series hasn’t contained any romance so far (though I’ve already started the third book and there a charming development brewing). But if you’re okay with that and love spec fic, Dreadnought is definitely worth checking out.
Meet Celaena Sardothien.
Destined for greatness.
In the dark, filthy salt mines of Endovier, an eighteen-year-old girl is serving a life sentence. She is a trained assassin, the best of her kind, but she made a fatal mistake. She got caught.
Young Captain Westfall offers her a deal: her freedom in return for one huge sacrifice. Celaena must represent the prince in a to-the-death tournament—fighting the most gifted thieves and assassins in the land. Live or die, Celaena will be free. Win or lose, she is about to discover her true destiny. But will her assassin’s heart be melted?
I’m coming to this series pretty late — I bought it a while ago because the cover was just that awesome, but it took a while to filter to the top of my tbr (and I actually ended up listening to it on audiobook, so the paperback never even got opened — oops).
I found the story engrossing enough, though the main character is nowhere near as tough as I thought she’d be, given that whole “best assassin in the land” thing. She talks the talk, but we rarely see her walk the walk. I mean, she has all of the thief skills associated with your typical assassin, and is good with poisons, but she isn’t cut-throat by any stretch of the imagination. I struggle to imagine her actually killing someone for money.
She also likes pretty dresses and parties. I actually like this about her, because I don’t think a character has to be unfeminine to be tough. But I can see that she gets a lot of hate from that, and it definitely distracts her at times when she should be focused on the competition.
I liked how bad the bad guys were, and the way that the fantastical elements were woven through. (There’s also a love triangle, which I didn’t mind — though I never really had a preference between the blokes in question — but others might find trope-y.) I’ll definitely download the sequel when I get my next Audible credit. But if you’re looking for a more-gritty story about an assassin, then I’d recommend Nevernight by Jay Kristoff over Throne of Glass.
Book #2 in the Twisted Hearts duet
You can run, you can hide, but the truth will always find you.
Everly Jenkins knows darkness — but that doesn’t stop her living life to the max. Not until she meets Cameron Lewis, the tragic reminder of her past that she just can’t seem to shake.
Being “just friends” with a man who sends her soul flying and her body up in flames is near impossible — until her secrets come out, leaving her alone.
Will the darkness overcome her once again? Or will Everly fight for the man she loves and help him face the bitter truth?
I’m going to keep this review as spoiler-free as I can, which means being cryptic (and therefore fairly brief).
The first thing you need to know is that you really shouldn’t start with the second book in this series. You’ll be hella confused, and miss all of the good feels in the first book, which I reviewed here. That being said, the first third or so of Bitter Truth covers the same events as in Honest Love, but from Everly’s perspective. I really enjoyed this part of the book, with its glimpses into what Everly’s deal really is.
I enjoy Everly as a character. She’s gone through some pretty dark times and come out the other side with the willingness to fight, not just for herself but for Cameron and what he wants more than anything else as well — custody of his baby girl, Piper. She fights for him when he doesn’t even want to see her, and frankly I’m glad this part of the story was from her perspective rather than his, because I found his slump at the start of Bitter Truth a little frustrating (if understandable).
Lauren K. McKellar does what she describes as “romance with feels”, and one of the things that has made her an auto-buy for me is that her books never feel predictable even while they stay true to the romance genre (which can be rather formulaic). There was one moment in Bitter Truth where I was absolutely certain I knew what was going to happen next. I really struggle with super-cringeworthy moments in fiction (you know, the ones where you want to hide your face so you don’t die of secondary embarrassment), and I thought this was going to be one of them — so much so that I had to put the book down and gather myself in order to keep reading.
I should’ve had more faith, because not only did what I was expecting not happen but the whole story took a turn for the even-more-awesome.
This duology has a smoking hot couple, an adorable toddler, a conniving ex who still manages to be somewhat sympathetic at times, some tragedy, some steamy sex scenes, lots of beach scenes that made me hanker for my next coastal holiday, and a happily ever after. What more could you want?
Nick and his brother Alan are on the run with their mother, who was once the lover of a powerful magician. When she left him, she stole an important charm – and he will stop at nothing to reclaim it. Now Alan has been marked with the sign of death by the magician’s demon, and only Nick can save him. But to do so he must face those he has fled from all his life – the magicians – and kill them. So the hunted becomes the hunter … but in saving his brother, Nick discovers something that will unravel his whole past…
It’s been a little while since I finished The Demon’s Lexicon, but life got busy and I haven’t had a chance to review it till now. That means this review might be a little on the short side, but I still remember the highlights.
As far as genres go, urban fantasy is my favourite and my best; you’ve probably guessed that if you’ve read any of my books. It’s also hard to find urban fantasy rather than paranormal romance, and I powered through this book because of that, happy as my dog when he sticks his face in front of the hose. (Just go with me here.)
Here are the things I loved:
Nick. This surprises me, because he’s the sort of brooding leading male that I cannot stand in paranormal romance novels. But because the story is told from his point of view, we get to see inside his head. We see his emotions (mostly fury or bafflement), and hear his thoughts. He clearly loves his brother, but he seems completely incapable of articulating that, or much of anything other than frustration and smart arse comments.
Nick lives in his head, even when it pains his brother, Alan, and when — to the reader — the solution is obvious. He isn’t a particualrly nice character, but he is fascinating. I enjoyed spending time with him in this book (though I definitely wouldn’t want to in real life, and I sure as hell wouldn’t date him). I’m in awe of Brennan for making a thoroughly dislikable character so fascinating.
The brothers. This falls out of the first point. It was so nice to see a portrayal of brotherly love in a book, prioritised far and above the tenuous romance plotlines with side character Mae. Alan and Nick have each other’s backs. For Nick, it has always been that way — Alan has always been there for him.
That’s why the merest hint that Alan might be keeping secrets sends him into a tailspin. It’s clear to the reader (I keep saying that, but there really are two layers to this story — what we see, and what Nick can comprehend) that Alan loves his brother and has his best interests at heart. But poor Nick just can’t see it.
The twist. Boy howdy. I sort of half guessed, but Brennan took it all the way. The ending alone earns this book a whole star on its own.
(The only thing that makes me sad is that I want to buy the second book in the same edition as the first, and it’s currently sold out on The Book Depository. Wah!)
An emotionally charged story of music, abuse and, ultimately, hope.
Beck hates his life. He hates his violent mother. He hates his home. Most of all, he hates the piano that his mother forces him to play hour after hour, day after day. He will never play as she did before illness ended her career and left her bitter and broken. But Beck is too scared to stand up to his mother, and tell her his true passion, which is composing his own music — because the least suggestion of rebellion on his part ends in violence.
When Beck meets August, a girl full of life, energy and laughter, love begins to awaken within him and he glimpses a way to escape his painful existence. But dare he reach for it?
I bought A Thousand Perfect Notes the same day that it arrived at my local bookstore (I checked the delivery date) and gobbled it up that night. The author is Cait from the popular Aussie blog Paper Fury; she has such a hilarious writing style on social media that you might — if you know her work — go into this book expecting it to be full of sunshine and cake.
Well, it does have cake, at least. And maybe a little sunshine, mostly in the form of the delightful August. But there’s a lot of darkness in this story. Beck is terrorised by his mother, both physically and psychologically. He has zero sense of his own self-worth, despite being a genius player and an even better composer. There were so many times that I wanted to just sweep him up and take him and his kid sister away, or get them some sort of help (or drop a piano on their mother, not gonna lie).
Part of me can’t even comprehend a world where a boy could be so thoroughly abused and no adults would step in to help, and that’s why it’s so important for me to read a story like this one, even though parts of it made me feel kind of queasy. For example, the shame Beck feels for being a fifteen-year-old boy abused by his mother feels so real. His efforts to keep his distance from August because he’s afraid of what his mother will do if she finds out he’s wasting perfectly good practice time on a friend (or even to complete a group assignment) are so, so sad. And his desire to protect his five-year-old sister from his mother’s wrath were super sweet, even as it made me furious that he needed to.
August is, on the surface of things, a Manic Pixie Dream Girl (dear god, someone make her wear shoes!), but she has depth that a MPDG doesn’t, with her desire to get straight As in school and to save every animal in the world — even some that maybe shouldn’t be saved. She has hippy veterinarians for parents, eats hipster vegitarian food and isn’t afraid to stand up for herself. She also doesn’t rush into a relationship with Beck, even though she clearly grows to like him. The evolution of their friendship into something that could be more is sweet to see.
Joey, Beck’s sister, is a wildcat in glitter and gum boots. I adored everything about her, even as I wouldn’t want to parent her. Yikes! (Of course, if she were actually being parented, then I expect she wouldn’t be so violent in the first place…) And the descriptions of Beck’s music are magical. I don’t know classical music that well, but this story let me feel the mood of music by different composers.
A Thousand Perfect Notes is a quick read that will break your heart, but you should read it anyway.
When Earth intercepts a message from a long-extinct alien race, it seems like the solution the planet has been waiting for. The Undying’s advanced technology has the potential to undo environmental damage and turn lives around, and Gaia, their former home planet, is a treasure trove waiting to be uncovered.
For Jules Addison and his fellow scholars, the discovery of an alien culture offers unprecedented opportunity for study… as long as scavengers like Amelia Radcliffe don’t loot everything first. Mia and Jules’ different reasons for smuggling themselves onto Gaia put them immediately at odds, but after escaping a dangerous confrontation with other scavvers, they form a fragile alliance.
In order to penetrate the Undying temple and reach the tech and information hidden within, the two must decode the ancient race’s secrets and survive their traps. But the more they learn about the Undying, the more their presence in the temple seems to be part of a grand design that could spell the end of the human race…
A lot of people are describing this book as Indiana Jones in space, which I get, but I think it has more of a Lara Croft vibe. That might be because Jules is English and relatively rich, or because Mia is an athletic young woman who’s used to scaling things in order to steal other things. (Yes, I’m splitting hairs here!) However, the main difference between the characters in Unearthed and either Indy or Lara is that Mia and Jules are teens, and neither of them knows how to use a gun. I liked that about them. If they’d been dual-pistol-weilding superheroes, the book would’ve felt far less authentic.
Unearthed is a dual-point-of-view story with alternating chapters told from Mia’s and Jules’s perspectives, but both characters carry the story equally well and I didn’t find myself hating one perspective and always wanting to get back to the other. They are quite different personalities, in that Mia acts on instinct and is all about survival, whereas Jules is a thinker, a linguist who wants to preserve the ancient temple sites and understand those that built them. (And hooray for the non-stereotypical gender roles there — I loved that!) But both of them are also there because of love for a family member back at home, which gives them common ground on which to build.
(On that point, it’s possibly unavoidable from a story point of view that both characters spend a bit of time naval-gazing, thinking about why they are on Gaia in the first place. Given the story starts after they are on Gaia, how else would we come to understand their motivations? I could have wished for a little bit less introspection, but I could see why it was there)
There is, of course, a budding romance between Mia and Jules. I say “of course” because anyone who has read any of the other books by Kaufman and Sponer will know that this is a hallmark of their writing together. (Likewise, Kaufman’s Illuminae books with Jay Kristoff each have a different romantic pairing take the lead in each book.) Unearthed is set over only a few days, and the characters spend so much time just trying to survive that they don’t really make it much past the mutual attraction stage. For me, that’s a good thing as it makes their relationship feel more realistic.
Some parts of the story are fairly straightforward and what you’d expect. The puzzles aren’t generally described in enough detail that you could solve them yourself, and — unlike Mia — I’m not a maths brain, so I’d definitely have been squished by falling rock or dropped into a ravine fairly quickly. Other parts of the story, though … I can’t go into details without spoilers, but there are a couple of massive plot twists in here, and I only saw part of one coming. I always love it when a book pulls the rug out from under me like this one did, so huzzah!
What I don’t love, though, are cliffhanger endings. The first sentence of the author acknowledgement is “Sorry about that.” All I have to say is YOU SHOULD BE. So I’ll just be sitting over here, crying quietly until the next book comes out in seven months.
Morrigan Crow is cursed. Having been born on Eventide, the unluckiest day for any child to be born, she’s blamed for all local misfortunes, from hailstorms to heart attacks–and, worst of all, the curse means that Morrigan is doomed to die at midnight on her eleventh birthday.
But as Morrigan awaits her fate, a strange and remarkable man named Jupiter North appears. Chased by black-smoke hounds and shadowy hunters on horseback, he whisks her away into the safety of a secret, magical city called Nevermoor.
It’s then that Morrigan discovers Jupiter has chosen her to contend for a place in the city’s most prestigious organization: the Wundrous Society. In order to join, she must compete in four difficult and dangerous trials against hundreds of other children, each boasting an extraordinary talent that sets them apart–an extraordinary talent that Morrigan insists she does not have. To stay in the safety of Nevermoor for good, Morrigan will need to find a way to pass the tests — or she’ll have to leave the city to confront her deadly fate.
A bookseller told me that Nevermoor was being touted as the new Harry Potter. But publishers have been making that claim for years, trying to tap into JK Rowling’s huge success, so I was a little scepitcal. Still, I’d already bought the book by that point (I am a book hording dragon, okay?), so I decided to give it a go anyway. And … I can see why they made the comparison.
This review might be a little gushy. Try to bear with me!
Morrigan has a couple of things in common with Harry in the first book of that series. Both are eleven, and both come from mundane families that intensely dislike them. However, Nevermoor isn’t set on Earth or any parallel thereof but in a fantasy world which has the states of the Republic and the more magical Free States. The former are still kind of magical — they use an energy called Wunder in a manner similar to electricity, but dragons are real and children born on Eventide are seen as cursed, causing all manner of disaster to befall those around them. The Free States are truly, spectacularly magical, though, and make the Republic (or at least those parts of it that we see) seem drab by comparison. They are quirky and fun, and I loved them.
Jupiter chooses Morrigan to be his first ever candidate for the Wundrous Society. He is an adorable, bizarre character who makes Dumbledore seem staid, but both men share the ability to dissemble, never answering straight questions. This is to Morrigan’s intense frustration, because she knows she can’t get into the Wundrous Society without a knack, and Jupiter, while assuring her all will be fine, refuses to answer questions about it.
I really enjoyed Morrigan. She’s bright and determined and just wants to find a true home and friends (and not be deported and face her fated death). She also dresses all in black (well, you would if your name was Morrigan Crow, wouldn’t you?) and is scared of the idea of acid-spitting land dolphins. What’s not to love? My other favourite characters were Jupiter and Fenestra, the giant talking cat who works at the hotel where Jupiter and Morrigan live. Fen is snarky and a little callous, but ultimately comes to regard Morrigan the way a mother cat might her kitten.
One interesting element of the book is the way that Morrigan — who entered the Free States illegally, without the appropriate immigration paperwork — is treated by the border police. One of them in particular is an a-grade bigot who regards illegal immigrants as less than human. There’s an opportunity for parents to discuss the concept of refugees with their kids after reading this book.
Nevermoor fits into the middle grade category rather than young adult. There are a few scary scenes, but nothing graphic, and no sexual content or bad language that might deter some parents from buying this for their kids. Or for themselves. I won’t judge!
After all, I’m super-keen to snap up the sequel myself. 😉