The inseparable are well and truly split.
Mack, Faith and Lacey, joined at the hip since they were kids, are about to graduate high school. You might think this sounds like a book about coming-of-age and taking that leap into adulthood.
It is — except one of them doesn’t make it …
Mackenzie Carter has one solid thing on the agenda for her future — get out of town and focus on her post-school studies. After all, she’s wanted to be a vet since she was a little girl, and nothing, not the thought of being apart from her two best mates or the idea that maybe she’s got more-than-friendly feelings for a sexy local surfer can alter that … can it?
Graduation changes everything.
Almost three years later, and Mack’s high school dreams are just that — figments of her imagination, thanks to the guilt that haunts her on a daily basis. Will a faux relationship with Byron Leckie be the thing she needs to get her life back on track? Or will it make everything worse?
One thing is for certain. When these two collide, the damage will be fierce. After all, graduation was never meant to end like this.
This is the second in the pair of companion novels that together comprise the Surfer’s Way series, parallel novels that look at the consequences of Faith’s death from the perspectives of her two best friends. I reviewed the first book, by Jennifer Ryder, here. (And if you’re flicking between the reviews, I recommend taking a moment to admire the cover art. The use of the same stock image has been so cleverly done here — it ties the two books together but is sufficiently different that you don’t get confused. I love it!)
I adored Seeking Faith. Mackenzie is a character struggling with guilt, forbidden love and a lack of direction that leaves her surviving rather than living, cut off from everyone she loves. Despite all this, when we first meet her, she isn’t flat and defeated — she still has the spark that defines her. I was cheering for her from the first chapter.
Her relationship with Byron evolves through both flashbacks and current day events, so that we get to see how they came to fall in love and be pulled apart. While Losing Faith (the other book in the series) is the story that tells you who killed Faith, Seeking Faith is the one that gives you the real, tangled backstory behind the events of graduation night.
Poor Lacey almost seems naive once you understand the full story.
As a writer, I’m amazed at the craft that has gone into these two books, that they each have their own puzzle and that neither one spoils the main secrets for the other. I take my hat off to both authors. Also, McKellar has this amazing knack for drawing you into her characters. She takes “show, don’t tell” to a whole new level. I’m in awe.
Like Losing Faith, Seeking Faith has some steamy sex scenes, so that’s something to be aware of if you’re worried about — or looking for — that sort of thing. It also has action, enough mystery to keep me (someone who isn’t normally a romance reader) hooked, and a hot leading man. What more do you need?
The inseparable are well and truly split.
Mack, Faith and Lacey, joined at the hip since primary school, are about to graduate high school. You might think this sounds like a book about coming-of-age and taking that leap into adulthood.
It is — except one of them doesn’t make it …
Lacey Marone had two solid things on her agenda for her future — working in the Pepperoni Palace until she figured out what the hell to do with her life, and getting together with her bestie’s older brother, Quade, who she’s crushed on since she was a kid.
Then graduation night changed everything. Almost three years later, Lacey won’t rest until she discovers the truth surrounding Faith’s death. She’s outcast by those who want to move on from the tragedy, as if the town’s sweetheart never existed.
Years after losing Faith, Quade Kelly returns home to Runaway Beach, determined to mend ties with his parents and cement a future in his hometown teaching at the local primary school. Quade soon learns that his sister’s ghost lives on, thanks to Lacey, the girl who still owns a piece of his heart.
Lacey is hung up on her quest for answers. Quade wants to bury his failures of the past. The pull between them can’t be denied but can the past be forgotten?
Truths will be uncovered and hearts will be cracked open wide. After all, graduation was never meant to end like this.
Losing Faith is one of a pair of companion novels; the other is Seeking Faith by Lauren K. McKellar, which follows Mack’s story. I am a huge fan of McKellar’s work, so I bought the pair and — on advance — read Losing Faith first. (You really seem to be able to read them in either order, but Losing Faith really whets your appetite for wondering what on earth Mack’s deal is!)
If I had to describe this book in one sentence it would be “love after tragedy in a sleepy coastal town”. I think I went into it expecting it to be a little bit more of a murder mystery than it was — Lacey is obsessed with finding the person responsible for Faith’s death in a hit-and-run accident, and with preventing something similar happening to anyone else. But her investigation doesn’t really have any sort of momentum within the book (understandably, as it’s three years later and any leads have petered out). It’s only when the clues are shoved under her nose that she puts everything together, well after I suspect most reads would have.
The romance between Lacey and Quade develops fairly quickly, but it doesn’t feel like insta-love because they have a long history of wanting to hook up from earlier in their relationship. The sex scenes are plentiful and also steamy (so be warned if that’s not your thing — though they get a big thumbs up from me). There is also a fair dose of the sort of humour you get in real life: foot cramps and mosquitoes and interrupting phone calls. I liked that realistic element, and that the book didn’t take itself too seriously.
The reason I’ve given Losing Faith 3.5 stars rather than a higher rating is that, for some reason, I didn’t connect with this story and its emotions as much as I wanted to or probably should have. I spent a couple of days after I finished it trying to figure out why, and I can’t put my finger on any one thing. The writing is good and Lacey is an enjoyable character to follow. I don’t normally read pure romance (McKellar’s work notwithstanding), so this might be an “it’s not you, it’s me” thing.
Still, 3.5 is a solid “I liked it”, and if you love romance by the beach and a hint of mystery, then this is definitely one for you to check out.
Five teens, one derelict Kombi and an unforgettable road trip…
Six months ago, Zoey’s life went off the rails. After the tragic loss of her brother, she partied her way to oblivion, estranged her best friend, Cass, and pushed away her now ex, Finn. But when her destructive behaviour reaches dangerous heights, Zoey realises she needs to pull herself together and get her old life back, including her ex. There’s just one complication: Finn is now dating Cass.
Now, it’s the last week of summer and Zoey, Cass and Finn are setting out on the road trip of a lifetime to see their favourite musician, Gray, perform live, joined by Finn’s infuriatingly attractive bad-boy cousin Luc and his vibrant younger sister Jolie. Zoey thinks this is her chance to put things to rights and convince Finn they should get back together. But she wasn’t counting on her friends’ lingering resentment, Luc’s disarming sincerity, and Jolie’s infectious love for life to turn her plans upside down.
I bought this book yesterday, and finished it last night (well, technically this morning — it was after midnight). That’s something that never happens to me these days, so I needed you to know that upfront. I mean, I’ve owned this book for so short a time that I haven’t even taken a bookstagram pic of it to go with this review yet!
While some of the speed with which I read it is due to the relatively short length of this young adult contemporary, especially compared to the last book I reviewed here on the blog, most of it is due to Nicholas’s accessible writing style and the natural momentum of a road trip story.
But The Last Days of Us isn’t just any road trip story. Firstly, it’s Australian, set on the road between Adelaide and Melbourne as the characters travel there to see the musician Grey in concert. That has particular appeal for me, because — although that’s not a drive I’ve done myself — I’ve seen photos of a lot of the landmarks that the teens visit. It’s always self-affirming to see your own world in fiction.
Secondly, The Last Days of Us is a powerful exploration of grief and grieving. As the blurb says, Zoey is trying to piece her life back together after losing herself in alcohol and wild parties following her brother’s death. She has broken up with her boyfriend, has grown distant from her best friend (who is now dating her boyfriend, so that seems fair), and is estranged from her parents. She can see that her life is a mess, but the only way she can see to fix it is to try and return to the “old” Zoey, the one she was before Dan died. She tries to do this in a very literal sense — same haircut, same fashion sense, same boyfriend.
Some may find Zoey’s intention to get between Cass and Finn a little shocking, but it didn’t prevent me from being able to get behind her as a character. For a start, Zoey isn’t particularly nefarious about it. She doesn’t set out to directly sabotage Cass with Finn. She instead tries to reconnect with him, show him that the old Zoey is back (even if she’s not and never can be), and see if that is enough. Also, it’s clear from the beginning that Finn is a terrible choice for Zoey (and probably for Cass), so I guess I never expected Zoey’s scheme to go very far.
I’m not going to lie, those moments in the first half of the book where she tries to orchestrate things so she can talk to Finn alone are awkward as anything. But, here’s the thing — I found them so cringey because I remember how, when I was seventeen, I tried to arrange things so I could be with a crush. Not one that had a girlfriend, admittedly, but I was just about as ham-fisted about it as Zoey. I could really relate to her in that regard.
There are other elements of grief in the story, ones I won’t get into because of spoilers. They are fairly well telegraphed, and play out as you might expect — but that didn’t make them any less heartbreaking. Still, the scene that made me cry is one that is all Zoey, mourning for her brother. Her grief is so raw.
The relationship that develops between Zoey and Luc is sweet, and didn’t feel rushed despite the relatively short timeframe in which most of the book takes place. He is perceptive, is sweet without being a pushover when Zoey is rude to him, and provides an excellent foil for the shallowness that is Finn. Cass is a little more problematic as a character — she clearly struggles with having Zoey back on the scene and is insecure about her relationship with Finn, but she resorts to some pretty low comments for a supposed best friend. (She and Finn try to slut-shame Zoey, which did make me want to punch them a little bit.)
The other thing I really loved about this book was Grey, the teen musician they are travelling to see. He’s only in a couple of scenes, but excerpts from his songs (written by the author, obviously) are at the start of each chapter, so his fingerprints are throughout. His music leans towards tortured and broody, so the excerpts are a nice note … so to speak.
Definitely check out The Last Days of Us for an easy but compelling summer read.
This is the first time I’ve sat down to write one of these year in review posts where I’ve felt like my successes have been qualified. Where I haven’t felt as proud of myself as in previous years.
I finished writing, edited and self-published False Awakening, the second book in the Lucid Dreaming duology. But, since then, I haven’t managed to start my next novel, and my promo efforts have been lackluster at best.
I have done other things; I wrote and submitted a short story for an anthology (which I’m still waiting to hear back about), and this month I’ve been working on a novella I originally wrote more than ten years ago. But I had this huge period in the middle of the year where it felt like I didn’t achieve much of anything.
A lot of that was due to real-life pressures. My work has been short-staffed all year, and insanely busy since May. I edit for a living, as I’ve said before, and the idea of coming home and sitting in front of a PC after sitting in front of a PC all day was just too exhausting. As a result, I’ve fallen out of the habit of writing. Blog posts and reviews, sure, but books? Not so much.
I’ve been working on that over the last couple of months, though not with a novel (yet). Still, I will definitely have a couple of releases for you this year. Woohoo!
This is the first year since I started doing the Goodreads and Australian Women Writers challenges that I haven’t quite met me goals. For the Goodreads one, I set a goal of 40 and read 31. And for the Australian Women Writers challenge, I set a goal of 15 and read 11. At least I got close in both, right? (Right?)
A lot of the blame here goes to Brandon Sanderson’s Stormlight Archive. When I set my Goodreads goal, I didn’t anticipate discovering (and adoring) this series, and each of these books is over 1000 pages. That’s three regular novels for one Stormlight one. I’m currently listening to the audiobook of the third one in the series, and the download is available in five parts. FIVE. If I hadn’t been reading them, I would have nailed my goal, for sure! 😉
Goodreads produced a handy summary, an extract of which is below. If you’re desperate to stalk my reading (and why wouldn’t you be?!), you can find the rest of the blog post here.
My 2017 reads
In light of all this, my writing resolutions for 2018 are very straightforward:
- Do better.
- Forgive myself at times I don’t do better.
I figure that’s pretty comprehensive!
What about you? How did you do with your reading (and, if applicable, writing) in 2017? Tell me your triumphs, or commiserate with me on your woes. ❤
The YA event of the year. Bestsellers. Award-winners. Superstars. This anthology has them all. With brilliantly entertaining short stories from beloved young adult authors Amie Kaufman, Melissa Keil, Will Kostakis, Ellie Marney, Jaclyn Moriarty, Michael Pryor, Alice Pung, Gabrielle Tozer, Lili Wilkinson and Danielle Binks, this all-new collection will show the world exactly how much there is to love about Aussie YA.
I love the #LoveOzYa movement, as — like the Australian Women Writers Challenge — it’s a great way to raise awareness of Aussie homegrown fiction. The fact that they turned it into an anthology that involved some of my favourite Aussie writers is even better.
If you love YA, get this anthology, whether you’re Australian or not. You won’t regret it.
One Small Step by Amie Kaufman
This is a gorgeous (and rather tense) romance between female best friends on Mars. I’d love to read more about these characters. Make it so, Amie!
I Can See the Ending by Will Kostakis
This one’s an urban fantasy about a teen psychic who can see the future but can’t change it (and struggling with the sense of futility that generates). It was quite clever, and as sweet as it was poignant.
In a Heartbeat by Alice Pung
This is a contemporary about teen pregnancy. It was really well done, though probably not my favourite of the contemporaries.
First Casualty by Michael Pryor
This sci-fi was my least favourite in the anthology. It was well-written and had a ragtag Firefly vibe about it that I was digging till the main story got started and it turned into a transparent dig at one of Australia’s previous conservative government. I don’t have a problem with that, per se (I’m hardly conservative!), but the lack of subtlety detracted from the story for me.
Sundays by Melissa Keil
Melissa Keil is my favourite contemporary YA author because of the way she handles misfits and nerds, and this story really delivers. It’s set over one evening at a wild, drunken party.
Missing Persons by Ellie Marney
This story is a prelude to the Every trilogy (which is a mystery/thriller inspired by Sherlock Holmes), and describes how Rachel Watts meets James Mycroft and Mai Ng. The squee factor will be higher if you have read the trilogy … which I have, so squeee!
Oona Underground by Lili Wilkinson
This is another gorgeous romance about a teen girl in love with her female best friend, but is quite different to One Small Step. It’s magic realism with a bit of a Neverwhere vibe. I’d definitely read more about this world (though I didn’t love Oona as much as I probably should have).
The Feeling from Over Here by Gabrielle Tozer
This is a contemporary set on a coach ride between Canberra and Melbourne, with some use of flashbacks and a lot of desperate texting. It primarily explores school bullying, and the voice is wonderful. One of my favourites!
Last Night at the Mount Solemn Observatory by Danielle Binks
This is another poignant story about a teen girl coming to grips with her older brother’s decision to travel the world after graduation. The two kids are called Bowie and King, which is rather unfortunate, but King is deaf, and the description of the sign language is really fascinating.
Competition Entry #349 by Jaclyn Moriarty
This story was a lot of fun, and competes with The Feeling From Over Here for the most voice. It’s modern day(ish), but with time travel and an amazingly scatterbrained main character. It’s great!
Harvey Anderson always knew the universe was against him, but there’s a lot of stuff he never expected to happen, like having a crush on the most popular girl at school, and then falling into a giant hole in the middle of nowhere with her. And if that wasn’t enough, somehow they managed to release a soul-sucking, ancient witch as well. So yeah, there’s that. You’d think it’d be pretty hard to beat, but knowing Harvey’s luck, it’s about to get a whole lot worse.
I was lucky enough to nab an ARC (advanced reader copy) of The Lovely Dark, which is scheduled for release later this month — just in time for Halloween. The release date is particularly appropriate, because this story is atmospheric and occasionally creepy as all get out. I was reading it in an empty house when the sun was going down, and brr!
The story starts with Harvey, his best friend Toni, and popular girl Lian as they get lost orienteering in the Aussie bush on school camp (who hasn’t done that — amirite?) and fall into an underground cavern that opens up during an earthquake. Toni is injured, so Harvey and Lian explore the cave system, trying to find a way out. Of course, given Harvey’s luck, they manage to release a soul-sucking, murderous witch instead. Whee!
Harvey is the point of view character. He’s afraid of the dark, which makes the scary night-time and underground scenes in this book twice as confronting as we see them through the filter of his terror. He is also very conscious of what the other teens think of him, and would prefer to escape into Netflix rather than deal with what is going on.
All of this made him seem realer to me than your average young adult protagonist … at the same time that I occasionally wanted to shake him a little, not gonna lie. But those moments where Harvey took action were glorious, just because I’d been cheering for him to step up for so long.
Toni is far and away my favourite character. She has a little bit of Hermione about her — she is the one who figures out what is going on and tends to be the voice of reason and competence throughout the story. I loved her. Lian was nice enough, and I could see why Harvey had a crush on her, but she was no Toni! 😉
K. A. Last hasn’t just gone for the wicked witch stereotype here, which is a relief (I’ve dabbled in paganism in my past, so I hate a bad stereotype). While there’s no doubt that the witch they release is evil, she has a tragic backstory and her nastiness is more than offset by the awesomeness of the other witchy characters that pop up throughout the story. (I won’t provide details, because spoilers.)
Other than how atmospheric this book is, my favourite thing about The Lovely Dark is the dialogue. There were actual, for real laugh out loud moments for me (something that doesn’t normally happen when I’m reading). Plus there’s a nod to Evil Willow from Buffy, which basically earned the book a star on its own. ❤
If you love your books spooky as all get out, with creepy birds and a high body count, then this is the story for you!
Eighteen-year-old Julianne De Marchi is different. As in: she has an electrical undercurrent beneath her skin that stings and surges like a live wire. She can use it—to spark a fire, maybe even end a life—but she doesn’t understand what it is. And she can barely control it, especially when she’s anxious.
Ryan Walsh was on track for a stellar football career when his knee blew out. Now he’s a soldier—part of an experimental privatised military unit that has identified Jules De Marchi as a threat. Is it because of the weird undercurrent she’s tried so hard to hide? Or because of her mother Angie’s history as an activist against bio-engineering and big business?
It’s no coincidence that Ryan and Jules are in the same place at the same time—he’s under orders to follow her, after all. But then an explosive attack on a city building by an unknown enemy throws them together in the most violent and unexpected way.
I finished The Undercurrent more than a week ago, but I’ve been caught up with other things and haven’t been able to sit down and review it before now. It’s a shame, because this book is amazing and you all need to hear about it so you can run out and buy yourselves a copy. (Or you could just skip the rest of the review, trust me, and head to the shops now. Go on, I won’t mind.)
Paula Weston is one of my most favourite discoveries from the last few years. I’ve raved about her Rephaim series plenty of times here on the blog, and I was very excited (and also a little embarrassed) when I discovered she’d released this gem a few months ago and I hadn’t heard about it. Needless to say, it went to the top of my TBR pile.
The Undercurrent is a futuristic thriller, set a few decades from now in a dystopian Australia where corporations’ influence has grown to the point that they are the driving force behind government policy. Australia has a developed a nuclear power plant and takes the world’s nuclear waste to store nearby (currently Australia has/does neither of those things). The army is available for hire by big corporations. GMO crops and genetically modified sheep are so pervasive that banks won’t provide hardship loans to farmers who refuse to grow them, and the most powerful GMO-pushing corporation, Paxton Federation, is on the brink of getting legislation through parliament that would effectively make it illegal not to grow their crops.
Enter Jules, daughter of former investigative journalist and resistance activist Angie De Marchi, whose body generates vast amounts of electricity she can’t control. She is notorious for having burned down a school building when she was 16, something that was an accident but that people assume was done at her mother’s behest. Since then, her mother has been blackmailed by an unknown individual to cut off her contact with the country’s leading resistance group, the Agitators — which Angie founded years before after her soldier husband was killed defending a PaxFed facility overseas.
When someone starts trying to kill Jules, things get complicated really fast.
I loved Jules, who has spent her entire life trying to bottle things up and maintain control of herself in a way that reminds me a little of Elsa from Frozen, but with more, erm, explosive consequences. Her mother, Angie, is fierce, stubborn, pig-headed, and in the centre of the action — not at all your stereotypical maternal mother figure or absent YA parent. Ryan, the studly soldier and love interest, struggles with his father’s disapproval of his decision to enlist. And Voss, Ryan’s commanding officer, is stoic, determined to complete his given task and more clued in to what’s really going on than anyone else. All these characters have chapters from their points of view, and we get to know them all quite well.
Paula Weston writes a fast-paced story, and this one is no exception. There’s a corporate conspiracy, layers and layers of scheming, a formerly peaceful protest group that has strayed into acts of terrorism, and farmers against the wall because they refuse to grow GMO crops. There is also a realistic romance, which is my favourite kind!
The other thing I liked was that PaxFed wasn’t purely an evil mega-corporation and, in some (fairly limited) ways, this dystopian world is a better place than ours. While PaxFed is no doubt motivated by profits, the reason for their GMO push (at least ostensibly) is the realistically achievable goal of ending world hunger. Electric cars are a reality and petrol-guzzling engines have been banned. Desalination plants have addressed some of Australia’s water-shortage problems, at least for those that can afford to take advantage of them. It’s these glimpses of the good coming out of the bad that make this world feel more realistic.
The Undercurrent has been marketed as young adult (because Australian publishers don’t seem to do the new adult category), but I wouldn’t recommend it for readers under 15 or 16. This is partly because of the content being a little more mature (for example, there is some swearing, a sweet sex scene, some drug references, and discussion of suicide), but also because the world and story are quite complex and take some following.
The Undercurrent a stand-alone novel, which makes me sad as I would have loved more of these characters. But if you want to try Paula Weston’s work and aren’t prepared to commit to a four-book series just yet, this is definitely the book for you.
Quinn Hamilton had it all—A grades, a loving family, and a spot on the waitlist for the latest Hermes handbag. The one item left unchecked on her to-do list was her brother’s best friend, Liam, and that was only because Braden was overprotective when it came to his mates.
When tragedy struck, Quinn was left with nothing. Not even the handbag made it.
Three years later, Quinn’s focused on the things that count—getting a steady job, looking after her mother, and playing it safe. Her dreams of working for a fashion magazine haven’t just left the building—they’ve dived into the gutter, never to be touched again.
But when completing a two-week internship in the city, Quinn meets someone who makes her do the one thing she’s been trying desperately to avoid—feel. Will this sexy man who knows so much of her history help her go after what she wants? Or is their brand of passion as outdated as last season’s trends?
She’s running from her past, but her past is running faster.
Life has been pretty hectic for me lately, so what better to read than a novella by the amazing Lauren K. McKellar? Her prose flows so smoothly and her story so quickly that this is truly a fast read — I gobbled it up in two sittings and was left with that satisfying “plentiful and delicious dessert” feeling. And I say this as a person who doesn’t generally read romance.
For fans of the genre, all the goodies are here: the girl, the guy, the obstacles that draw out the process of them getting together (but not too far; this is a novella). Quinn has scars on the inside that are worse than the scar on the outside: a massive case of survivor’s guilt means she subconsciously believes she doesn’t deserve happiness. Liam is an A-grade hottie who struggles with a minor case of the same. Together, they manage to muddle their way through to a place where they might be able to start healing.
Through Quinn’s eyes we also get another glimpse into the world of magazines, a place that the author knows well. It was nice to see Madison, the leading lady from Fame — although Fast had none of Fame‘s steaminess, unless you count the smooching.
I love Lauren’s writing. Regular readers of my blog will recognise the name; she is my editor, the one who I (as a professional editor myself) trust with my books. What this means is that you can buy her books — most of which are self-published — safe in the knowledge that they will be beautifully written and professionally treated. She has a keen eye for story and her editing game is amazing.
If romance is your thing and you’re keen to try a new author, why not give this novella a try? It’s a great way to discover someone new. You won’t regret it.
Nobody ever said death would be easy…
From the streets of Melbourne to the bowels of Westminster, the delicate balance between life and death that is so painstakingly maintained by the reapers of The Order of Dark and Light is being tested by the return of an ancient threat. Tensions are rising within the hidden world of The Shadowlands and if this threat is not contained war will be inevitable. And the destruction of the human world is bound to follow in its wake.
Amidst this tension, eighteen year-old Sachi Manning is struggling to cope with the grief and guilt that has plagued her ever since her best friend was murdered six months earlier—that is, until she spots him seemingly alive and well and being held at scythe point by a hooded figure who looks more like a GQ model than the Grim Reaper.
Sachi shouldn’t be able to see through the glamours that shield Shadowlanders from the human world, so the reaper in question wants some answers. And so begins the craziest couple of weeks of Sachi’s life as she is drawn into a world of mysteries, magic, monsters, and mayhem, encountering dragons, faeries, soul-sucking demons, not-so-grim reapers, and even the Horseman of Death.
With a mix of heart, humour and hair-raising action, Out of the Shadows is the adventure of an afterlifetime, perfect for fans of Cassandra Clare and Kresley Cole.
The first thing I should note is that I received a copy of this book free in exchange for an honest review. Those who’ve read my review policy know that I don’t normally agree to such requests, so when Ashlee approached me I quietly snuck away and read the first couple of chapters of the book on Amazon before committing to anything. Just in case. 😉
I’m glad I took the chance, though, because I loved Out of the Shadows. Sashi’s world is amazingly complex, full of supernatural creatures, competing factions and a complicated process for managing what happens to souls when they die. It’s mostly set in Melbourne, and I loved the Aussie touch (although the reapers, the main supernatural faction to which we’re exposed, can teleport, so there are scenes in New York, London and elsewhere — it’s a bit like Paula Weston’s Rephaim series in that regard).
Sashi, the main character, is Australian-born but with Japanese ancestry. She is tiny and fiery and quick with a joke. Her voice was one of my favourite things about this story — she had me giggling more than once at one observation or another. For example, it’s a bit of an urban fantasy trope that supernatural leading men are all ripped hotties. At one point, Sashi actually calls some of the lads out on it, asking if there’s a pill or something, subtly undercutting the trope while leaving the eye candy safely intact for our reading pleasure.
My other favourite character is the reaper Moss, again just because he is hilarious. He and Sashi quite often have movie quote exchanges, and every T-shirt he owns has a funny line on the front. Given my own T-shirt collection, I approved. (Oh, and Beelzebub, Prince of Hell, is hysterical too, in a “I suspect he’s unstable and might start killing folks at any moment” kind of way.)
I know I’ve talked a lot about the humour, because it was one of my favourite things about the book, but I should also mention that Out of the Shadows has its darker moments. There’s a supernatural conspiracy going on, one with a body count and a reach that I can only guess at from the first book. There are plot twists I didn’t see coming, and one exceptionally sad and shocking moment that was a dagger to the old feels.
For those wondering about the quality of the writing itself (always a valid question for small press and self-published works), I can confirm that Ashlee writes beautifully. I did see a handful of places where I’d do something different with commas, but they are the sort of things that only a sharp copyeditor is likely to notice … and I’ve seen books published by traditional presses with similar mistakes.
The only reason this isn’t a five-star read for me is that occasionally I got a little overwhelmed by the number of different factions. I was able to track the characters fairly easily but, because I read this as an ebook, I couldn’t easily flick back to earlier to remind myself of the differences between all the different types of reaper, for example.
Still, the confusion was temporary and didn’t detract from my overall enjoyment of the story. I’m very keen to read the next instalment in the series.
Sophia is smart, like genius-calculator-brain smart. But there are some things no amount of genius can prepare you for, and the messiness of real life is one of them. When everything she knows is falling apart, how can she crack the puzzle of what to do with her life?
Joshua spends his time honing magic tricks and planning how to win Sophia’s heart. But when your best trick is making schoolwork disappear, how do you possibly romance a genius?
In life and love, timing is everything.
I know I’ve said this before (possibly in my last review of a Melissa Keil book), but I want to be Melissa Keil when I grow up. She writes the most amazingly geeky and relatable (to me) characters.
In The Secret Science of Magic, we have Sophia, a maths genius and Doctor Who fan who has all the hallmarks of being on the autism spectrum disorder (although she is bafflingly never diagnosed), along with a massive helping of anxiety attacks and self-doubt (presumably from the lack of diagnosis and treatment). She’s also a POC, although her family is very “Australian” as far as I can tell — if there were any elements from other cultures in there I missed them.
Sophia is struggling through the last year of high school, trying very hard not to think about her only friend’s impending departure to study medicine in the US. She’s acing most of her classes and doing university-level maths on the side, but was pressured into doing drama, which she hates and is terrible at. She has fixated on a Russian maths genius who went off the rails, trying, in her methodical way, to figure out where he went wrong so that she can avoid it — a bit like Hazel in The Fault in Our Stars, but without the road trip.
Elsie, Sophia’s best friend, is from a largish South Asian family, with three brothers who look lout for Sophia the way her own brother generally doesn’t. But there is growing tension there, which Sophia doesn’t really understand. The clues are all there, not just for the reader (as is often the case) but for Sophia too — the problem is that Sophia simply doesn’t know how to recognise or interpret them.
(I’m so mad at Sophia’s counsellor, by the way. We never actually see said counsellor, but surely if they were halfway competent they could have recognised what was going on with her! Gah!)
Joshua, the other point of view character, has a long-standing crush on Sophia, a lisp that emerges when he’s anxious, and a talent for magic tricks. He decides to finally start wooing her, getting her attention with tricks that are mostly cute and motivated by a desire to help her with her various problems, but that sometimes cross the line for me (for example when he stole her watch; even though she did get it back later, that was uncool, Joshua!). Happily, he does grow over the course of the book and, by the end, he comes good. 😉
I really enjoyed this story, which — more broadly — tackles the YA issues of “coping with the end of school” and “what next”, as well as the universal human issue of self-acceptance. The romance was tentative and sweet, and my heart broke for Sophia and her confusion and social anxiety. The Doctor Who references made me happy, and Josh’s various magic tricks, while not really my thing, made me smile.
Melissa Keil’s books are ones I wish I’d had as a teenager; I’m totally buying copies for my friends’ geeky pre-teen when she’s a few years older.