Reviews: ‘Every Word’ and ‘Every Move’ by Ellie MarneyPosted: July 26, 2016
James Mycroft has just left for London to investigate a car accident similar to the one that killed his parents seven years ago…without saying goodbye to Rachel Watts, his ‘partner in crime’.
Rachel is furious and worried about his strange behaviour — not that Mycroft’s ever exactly normal, but London is the scene of so many of his nightmares. So Rachel jumps on a plane to follow him…and lands straight in a whole storm of trouble.
The theft of a copy of Shakespeare’s First Folio, the possible murder of a rare books conservator, and the deaths of Mycroft’s parents…Can Watts help Mycroft make sense of the three events – or will she lose him forever?
Sparks fly when Watts and Mycroft reunite in this second sophisticated thriller about the teen sleuthing duo.
Rachel Watts is suffering from recurring nightmares about her near-death experience in London. She just wants to forget the whole ordeal, but her boyfriend, James Mycroft, is obsessed with piecing the puzzle together and anticipating the next move of the mysterious Mr Wild — his own personal Moriarty.
So when Rachel’s brother, Mike, suggests a trip back to their old home in Five Mile, Rachel can’t wait to get away. Unfortunately it’s not the quiet weekend she was hoping for with the unexpected company of Mike’s old school buddy, the wildly unreliable Harris Derwent.
Things get worse for Rachel when Harris returns to Melbourne with them – but could Harris be the only person who can help her move forward? Then a series of murders suggests that Mr Wild is still hot on their tails and that Mycroft has something Wild wants — something Wild is prepared to kill for.
Can Watts and Mycroft stay one step ahead of the smartest of all criminal masterminds? The stage is set for a showdown of legendary proportions…
I read the first book in the Every trilogy last year — although I didn’t actually realise it was a trilogy till partway through the second book, Every Word. That was a little bit devastating, knowing that the amount of Rachel and Mycroft I had left to go was finite … I was hoping it’d go on forever. 😦
I devoured Every Word and Every Move in the space of a week, which is really fast for me given I also had work and general adulting to do as well. As a result, this is a combined review, which works here but I have no idea how I’ll get it into Goodreads. (Eh, that’s future Cass’s problem!)
All three books in the series are fast-paced, with a murder mystery, some forensic science (Mycroft’s hobby and, later, part-time job), some heated kissing and some moments that left me reeling. As far as the mysteries go, I guessed where the Folio was hidden in the second book (yay) but not who Moriarty actually was (boo). Despite the second book being slightly more transparent, the climax of that was so much more nail-biting to me. For some stupid, naive reason, I expected Ellie Marney to pull her punches a little. She definitely disabused me of that notion in Every Word. (At least by Every Move I was expecting it…)
The second and third books have the same overarching plot, events arising from the death of Mycroft’s parents seven years before, which is why it was great to read them back-to-back. There is closure of the smaller mystery at the end of the second book, but the Moriarty-like villain lingers on.
I should say, for those that haven’t read any of these books or the review that I linked, that these books are inspired by Sherlock Holmes. The characters are aware of the similarities in their names to the famous crime-solving duo, making little in-jokes about it, and the villain actually refers to himself as Moriarty at one point as a nod to that as well.
Of course, as far as I can recall, there isn’t a budding romance between Holmes and Watson. The same can’t be said of Mycroft and Watts, who are one of my new favourite young adult couples. I love how realistic and awkward they are with one another. I love that the obstacles they face in their relationship as time goes on include Rachel’s overprotective parents, something I expect a lot of teenage girls (and many boys) can relate to.
What there isn’t in these two books is a lot of school time. In fact, other than a school dance at one point, there’s not a single scene in either of these books set at school. I can’t think of the last time I read a young adult series that did that!
Every Word is set in London, while Every Move is back in Australia, and the sense of setting in each book is real enough to touch. You can tell that Ellie Marney went to London as part of her research (or maybe on a holiday) — there are details in there that you can’t get from Google street view. Likewise, her descriptions of Australia, of Melbourne and the bush around Five Mile, Rachel’s childhood home, are so real I could close my eyes and not only see but smell and feel the setting. It was wonderful!
The other thing I adored was how Aussie the characters are. Rachel is a farm girl at heart, and her and Mike, her older brother, have the best dialogue, so rich with slang and familiar to me. It warmed my heart. (Though I did raise an eyebrow when Rachel said crikey once — does anyone actually say that?)
Other good things about this book include a realistic depiction of PTSD that doesn’t leave the character hiding in cupboards (I’m looking at you, Katniss Everdeen!); a heart-rending depiction of dealing with grief; an awesome, complex family relationship (Mike! Rachel’s mum!); and a girl being friends with another guy than the one she loves without it turning into a love triangle (it can happen!). Oh, and Mai. I adored Mai.
Have I convinced you yet? Seriously, go read this series.