Review: ‘Scrappy Little Nobody’ by Anna KendrickPosted: May 31, 2018
A collection of humorous autobiographical essays by the Academy Award-nominated actress and star of Up in the Air and Pitch Perfect.
Even before she made a name for herself on the silver screen starring in films like Pitch Perfect, Up in the Air, Twilight, and Into the Woods, Anna Kendrick was unusually small, weird, and “10 percent defiant.”
At the ripe age of thirteen, she had already resolved to “keep the crazy inside my head where it belonged. Forever. But here’s the thing about crazy: It. Wants. Out.” In Scrappy Little Nobody, she invites readers inside her brain, sharing extraordinary and charmingly ordinary stories with candor and winningly wry observations.
With her razor-sharp wit, Anna recounts the absurdities she’s experienced on her way to and from the heart of pop culture as only she can—from her unusual path to the performing arts (Vanilla Ice and baggy neon pants may have played a role) to her double life as a middle-school student who also starred on Broadway to her initial “dating experiments” (including only liking boys who didn’t like her back) to reviewing a binder full of butt doubles to her struggle to live like an adult woman instead of a perpetual “man-child.”
Enter Anna’s world and follow her rise from “scrappy little nobody” to somebody who dazzles on the stage, the screen, and now the page—with an electric, singular voice, at once familiar and surprising, sharp and sweet, funny and serious (well, not that serious).
I’m a relative late-comer to Anna Kendrick fangirl status. I’d seen her in various shows, but got a crush on her as Beca in Pitch Perfect. (I fairly regularly get crushes on people who can sing. It’s a thing.) Then I listened to Scrappy Little Nobody on audiobook and it went from crush to true love. ❤
The first thing you should know is that Anna narrates the audiobook version of her autobiography, and she reads it in a conversational way that made it feel like she was sitting in the car beside me (I listen to audiobooks while I commute, mostly), ranting about her first relationships and her childhood awkwardness. And the thing was, it was all so relatable … despite me not being a cute actor and Broadway star. (I am about her height, though, and I’m a brunette, so we’re basically twins?)
Anna focuses for the most part on the first 20 or so years of her life — how she got into acting, her first few roles, her first crushes and sexual partners. After that, the chapters/essays tend to hop around a bit more, dipping into various, celebrity-based experiences, like dodging the papparazi and presenting at an awards show. Anna more or less admits that she could have gone into a lot more detail, hinting at the various assholes she’s worked with over the years, but that she still wants to be able to get a job in the industry afterwards. (I look forward to the tell-all book she writes when she retires.)
For me, the single most relatable part of the book was the section about Anna dating. She says at the start of the book that she’s changed the names of a lot of the non-celebrities she talks about. Given how raw she is about some of them, I can see why! Her first three partners were assholes in one way or another, or had asshole-ish moments, and she is brutally honest about how she put up things from them that she shouldn’t have, simply because she was young and inexperienced and didn’t think she deserved any better. That basically describes most of my twenties (Anna was a faster learner than I was). She describes how her first partner slut-shamed her for enjoying sex, her second one was a self-absorbed “musician” with whom she couldn’t enjoy sex, and her third called her a slut because she refused to tell him how many partners she’d had before him.
Anna is also rather casual about mentioning drinking and drug use (mostly weed), and even more casual about swearing (I never found it unwarranted, but I do occasionally have a potty mouth myself). Those combined with her mention of her shoplifting phase are the sorts of things that might discourage some parents from letting their teens read this book, but that would be a shame. There are lot of good messages to be found in here, especially for teenage girls.
I’ll leave you with a few quotes, so you can see what I mean:
“Don’t try to participate in anyone else’s idea of what is supposed to happen in a relationship. You will fail.”
“But at nineteen I did spend a short and regrettable period in a classic trap: trying to fit into something I hated, just to prove to myself that I could.”
“Some bitter boys reading this might accuse me of ‘friend-zoning,’ but I’d like to say that even if a girl has misinterpreted a situation that someone else thinks was obvious, she does not owe her male friends anything.”